The Red Shoes is a tale of obsession, possession and one girl's dream to be the greatest dancer in the world. Victoria Page lives to dance but her ambitions become a battleground between the two men who inspire her passion. Matthew Bourne’s magical adaptation of the classic Powell and Pressburger film is set to the achingly romantic music of golden-age Hollywood composer Bernard Herrmann, the production is orchestrated by Terry Davies, with stunning designs by Lez Brotherston, lighting by Paule Constable, sound by Paul Groothuis and projection design by Duncan McLean. Filmed live at Sadler’s Wells in London especially for cinemas.

Wild and newly single, Julie throws a late night party. In the kitchen, Jean and Kristina clean up as the celebration heaves above them. Crossing the threshold, Julie initiates a power game with Jean – which rapidly descends into a savage fight for survival.

Set in London during the Second World War, the drama features Cinderella and a dashing young RAF pilot. Together just long enough to fall in love, they are parted by the horrors of the Blitz. Among the obstacles to their reunion is Cinderella’s sinister step-mother, while the Angel weaves his magic to protect our heroine.

In a universe where human genetic material is the most precious commodity, an impoverished young Earth woman becomes the key to strategic maneuvers and internal strife within a powerful dynasty…

In Imperial Russia, Anna, the wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets the charming cavalry officer Vronsky to whom she is immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

This new Christmas ballet film was conceived by Matthew Bourne and directed by his long standing film collaborator Ross MacGibbon. The film celebrates Bourne's power to imaginatively transform ballet, taking dance and dancers off the stage into studio, bringing together projections, animation, and an intimate shooting style to produce a distinctive new way of presenting dance on screen. Those who know Bourne's stage work will spot extracts from many of his biggest hits (including Swan Lake, Edward Scissorhands, and Nutcracker!), but for audiences less familiar with his work this is simply a journey through a series of magical worlds where stories are told through dance.

Adam Verver, a US billionaire in London, dotes on daughter Maggie. An impecunious Italian, Prince Amerigo, marries her even though her best friend, Charlotte Stant, is his lover. She and Amerigo keep this secret from Maggie, so Maggie interests her widowed father in Charlotte, who is happy with the match because she wants to be close to Amerigo. Charlotte desires him, the lovers risk discovery, Amerigo longs for Italy, Maggie wants to spare her father's pain, and Adam wants to return to America to build a museum. Amidst lies and artifice, what fate awaits adulterers?