A feature-length documentary about the life and career of Italian director Luigi Cozzi and his obsession with Science Fiction and Fantasy.

Drive In is an Italian television variety show, broadcast by Italia 1 between 1983 and 1989. It was referred as the most innovative and popular Italian television show of the 80s.

Claudia, Rita, and Caterina are three friends who live in a conservative Italian town and lead seemingly neat and respectable married lives. One day, they are summoned to the notary public's office and learn that Anna, one of their peers in high school who got a bad name as a "whore" in the town because of them and was forced to leave is now dead. Furthermore, she had amassed a great fortune abroad and decided to bequeath it to the three. However, she has a strange condition: Claudia, Rita, and Caterina should cheat on their husbands within three days and provide photographic evidence or else the inheritance will be donated to the retirement home.

The fake report about Troisi's death, with the direction of Troisi himself with Lello Arena and Anna Pavignano. A long of list people greet the comediam, from Gianni Boncompagni to Maria Giovanna Elmi. There is also Benigni, hidden behind a window, and Arena, his guardian angel.

Nadia is a social worker who is trying to keep the residents of a local slum in line. Unfortunately she keeps neglecting her work and fantasizing about a life as a pop-star. When she falls for one of the residents in question, a small time crook called Bel Ami, she ends up an accomplice in a convoluted heist involving a holy Catholic relic.

Erika and George are two crooks hired by a rich lady to get rid of her philandering husband.

Colonel Anacleto Punch, military doctor, falls in love with the beautiful and sensual South African Dr. Eve Russell, specializing in transplants. Thinking that his manhood is not adequate for the beautiful colleague, decides to do a transplant with the unsuspecting nurse prawn, that with women has always been successful. But the end result will not be as anticipated.

A story about a singer/showgirl who poses as a nurse to recover some stolen paintings, which for some reason are hidden in a military insane asylum.

An under-taker (Renzo Montagnini) unintentionally raises three accident victims from the dead while reading out-loud from a zombie pulp novel. He dies of a heart attack, but the zombies then turn around raise HIM with the same book, and the the four of them shamble off looking for food. After unsuccessfully trying to prey on passing motorists, they end up at an inn owned by the aunt of one of the men. After accidentally giving her a heart attack, they take over the inn and try dine on the guests, but their plans go hilariously awry as the movie turns into a parody of "Night of the Living Dead", its sequel (and Italian co-production) "Dawn of the Dead", as well as such classics as "Dead of Night" and even "The Wizard of Oz"

Girls' dance instructor Claudia Gambetti takes over the boy's gym class after gym teacher Martorelli breaks both his legs owing to one of his student's pranks. Soon both teachers and students are interested in learning more of Claudia's athletic dance moves. Director Fiorontori has made some debts betting on horses and wants Claudia to win a disco competition to balance the school budget, too. When the boys team are invited to face off against their superior Russian counterparts, Claudia calls in her dancing girls to be used as a secret weapon.

A pair of smugglers manage to pick up a castaway while running from the authorities, who turns out to be the only survivor from a secret mission to destroy a mysterious superweapon designed by the evil Count Zartharn. The smugglers are soon recruited by the Emperor to complete the mission, as well as to rescue the Emperor's son, who has gone missing.

Three short stories full of absurd Italian humor. Episode 1: Oddjobs man Elia is hired to be a waiter and soon finds himself caught up in a plot to knock off his mistress (in more ways than one). Episode 2: Della is convinced that aliens are on their way to consume the world and before long ends up a guinea pig on a spaceship from the planet Phobos. Episode 3: Roberto becomes a Bersaglieri in the Italian army and nearly causes a war between Italy and Switzerland over a packet of cigarettes.

Four stories focused on the fair sex, dealing with the most varied and improbable sentimental and non-sentimental situations.

This movie is an Emmanuelle film in name only. Carmen Villani does get naked often, and there is this guy who looks like he was in the :Monkeys: The film begins with Billy ( Roberto Cenci ) who rushes to the airport of Tunis , for the arrival of her friend Andrea ( Carmen Villani ), returning from Paris with her ​​husband. But Billy's happiness is shattered when she learns quickly that it should host to his house, at the request of Andrea, Bobby ( Gianfranco D'Angelo ), in love with Andrea, and Dr. Censi ( Nadia Cassini ), a friend of Bobby, who tries in vain to cure him of his uncontrollable desire of women, but to no avail, even allowing himself to him, after having hypnotized. After realizing that Bobby was not the right man for her, Andrea finally falls in love Billy.

A seedy writer of sleazy pulp novels is recruited by a quirky, reclusive ex-actor to help him write his biography at his house in Malta.

Prehistoric cave-stud Ari wins lovely virgin Listra in a pig-catching contest, but their attempts at "Ding-Dong" keep getting interrupted by idiot battles between his tribe, The Cave Dwellers, and their neighbors, The Lake Dwellers. Annoyed that hubby would rather make war than Ding-Dong, Listra organizes the women of both tribes to go on strike and "abstain Ding-Dong" until the men stop fighting. It all happens back in the days when men carried clubs and women played ding-dong, an Italian stone-age sex comedy based on the Greek classic "Lysistrata" and filled with shapely cavewomen sporting '70s hairstyles, a gay caveman with the hots for the hero, a title tune that will follow you forever and, of course, plenty of old-fashioned Ding-Dong!

During a monologue on the theme of adultery, a man reviews a series of famous and anonymous cases of conjugal betrayals ...

A beautiful Italian woman is told by her black friend about the Carribean love god Jambaya who appears in the form of the snake. By the end of the movie, Cassini has decided to give herself to Jambaya while Cunningham departs with her white friend's ex-lover, establishing a neat symmetry between their respective fantasies of exoticism.

Middle-aged man leaves his wife to devote himself to a carefree life.