Japan, February 1868. As the Tokugawa shogunate declines and the power of Emperor Meiji grows, Gonzo, a soldier of the Restoration Army, returns to Sawando, his hometown, to announce the end of tyranny.

Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.

The last film produced by Shintoho.

In the middle of the period of high economic growth in Japan, a family is thrown into disarray over work, money, and romance. Their father's sudden unemployment later in life causes friction among the siblings of the Akagi family. Kensuke, a salaryman at a top company, refuses to support his parents while his brother, Shoji, determines to care for them despite only working as a taxi driver. The concern over money affects Noriko's own love life as she courts a wealthy salaryman to the chagrin of her mechanic boyfriend.

The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.

1961 Japanese movie

Home drama about tin craftsmen and their families in downtown Tokyo. Though poor, they do not lose their cheerfulness or give in to oppression.

The fourth instalment in the Life's Simple Pleasures (Salaryman Mejiro Sanpei) series.

A young man runs a scam selling pigeons that always return to his home. He falls under the wing of Kyoko, an older student whose heart is touched after Masuo sells his pigeons to her. However, after his scam is revealed, can these feelings truly remain the same?

A lifetime story of a woman who stubbornly lives in a poor mountain village in post-war Japan.

In Kabuki style, the film tells the story of a remote mountain village where the scarcity of food leads to a voluntary but socially-enforced policy in which relatives carry 70-year-old family members up Narayama mountain to die. Granny Orin is approaching 70, content to embrace her fate. Her widowed son Tatsuhei cannot bear losing his mother, even as she arranges his marriage to a widow his age. Her grandson Kesa, who's girlfriend is pregnant, is selfishly happy to see Orin die. Around them, a family of thieves are dealt with severely, and an old man, past 70, whose son has cast him out, scrounges for food. Will Orin's loving and accepting spirit teach and ennoble her family?

The proprietress of a long-established sushi restaurant in Asakusa is a war widow who has raised three children. A film that lightheartedly depicts a generational battle between a mother who is anxious about the issue of an heir and her modern children.

A touching story depicting the harsh lives of farmers in Kasumigaura. An attempt to start a fishery business to revive an ailing farming community creates friction amongst the proud residents.

The obstinate black market trader Okyo lives together with her son Seitaro, who works as a mechanic for a bus company. She also looks after her son's colleague, the bus driver Fujita. When he causes an accident one day, Seitaro testifies against him due to his moral scruples, thus getting his company into trouble.

A group of rank-and-file Japanese soldiers are jailed for crimes against humanity, themselves victims of a nation refusing to bear its burdens as a whole.

A coming-of-age story portrayed as the loss of all youthful illusions. Sixteen-year-old Yoichi dreams of becoming a sailor. His parents are fishmongers, and Yoichi lives together with them and his four siblings in cramped living conditions. His beloved younger sister is given to a wealthy, childless uncle; his best friend moves away; the girl he fell in love with from afar is with someone else: little by little, Yoichi loses all the people that are important to him.

Based on the novel by Kojin Shimomura. Story of a young boy and his adventures in the country. His idyllic life is shattered by the illness and death of his mother.

A masterpiece of life sketches overflowing with heartwarming affection and laughter that portrays the modern common people with humor and pathos, focusing on the daily life of Sanpei Mejiro, a salaryman for over twenty years who finds a little happiness in life in his poor but joyful home.

Shizuka, Eiichiro, and Mineko, their father and son, live modestly in a certain suburb, leading a dreary but happy life. Eiichiro is troubled by Shizuka's desire to live together in familiar Tokyo. Mineko is the exact opposite of Eiichiro. A literary masterpiece depicting the fateful sorrow and humor of a mother and child

In a mountain village, Heita, a translator's son, is a gifted boy but is shunned by the villagers. He can imitate birds' cry and befriends another boy who works in a brewery. Heita also finds solace in the village pastor Yasugi and his teacher Michiko, but they too have problems of their own.

With delicate, unobtrusive strokes, Naruse evokes both the humor and bitterness of his characters’ dilemmas, in this bleak, compelling poignant portrait of a quartet of aging geishas contemplating their troubles with men and money.

Machiko and Haruki’s drama continues. Machiko is not allowed to see Haruki. They finally meet again, but Haruki departs to Europe.

A student at a woman's university takes a controversial action against the school's old-fashioned doctrines.

Machiko and Haruki’s drama continues. Two meet again in Hokkaido only to be separated again.

Machiko Ujiie and Haruki Atomiya first meet and fall in love on Ginza’s Sukiyabashi Bridge during the Great Tokyo Air Raid in March 1945. Machiko and Haruki pledge to meet again at the bridge in six months but part without asking each other’s names.

At the close of the war in Japan, a widowed mother makes every possible sacrifice to bring up her ungrateful son and daughter who are unimpressed with their poor standard of living at home. They gradually reject her in search of the material comforts that working as a maid cannot provide. The mother's despair becomes interminable.

Follows six male friends from elementary school whose career paths diverge—newspaper reporter, engineer, boxer, sushi restaurant owner—but whose romantic lives intersect. (MoMA)

An intellectual couple in a staid and tedious marriage are surprised when the wife’s niece, who has run away from home, turns up unexpectedly to stay with them. Their mundane lives are sent into disarray by the emotional and energetic Ako.

Strip dancer Carmen falls in love with Hajime, who is engaged to the daughter of a right-wing politician.

The arranged marriage between a capricious woman from Tokyo high society and a quiet and rustic man is tested by a marital crisis.

The picture belongs to the jidai gekki (historic) genre. It is a powerful story of violence and eroticism, picturing a world at once sordid and poetic, with two central themes which intermingle to compound an admirable panel of a critical period in Japanese history: the great famine in the mid 19th Century.

A section chief at the Bureau of Construction is in a shady relationship with a construction company. Then a new, young and honest subordinate is assigned to work under the section chief. Once he learns about the shady relationship, however, the new subordinate skillfully conceals the corruption and joins the corrupt, shady relationship.

Having completed the first year at his new medical practice, a doctor plans to relax on his day off. However, it is not to be: on this hectic day a man just back from the war front visits the doctor with a medical emergency, followed by a woman who claims to have been molested. Then a yakuza arrives to ask the doctor to cut his finger off...

A Japanese adaptation of Guy de Maupassant's short story Boule de Suif, directed by Kimura Keigo

A rural village elder plans an event on the return of a farmer's daughter from the city, unaware that she has become a Westernized burlesque artist.

It was the first time in six years that I was able to step on the land of my homeland, the land of my nostalgia. It was Tokyo that had turned to burnt earth. A Tokyo with no one to rely on.