Woolf’s Orlando follows the centuries-spanning life of a young nobleman who awakens to find that they a woman. Almost a century after its publication, Paul B. Preciado claims that fiction has become reality and Orlando’s story lies at the root of all contemporary trans and non-binary life.

On a Sunday morning, a group of young revelers enter a large, vacated apartment. Tired drag queens mix with debauched grannies, drunken vagrants and shy virgins over the course of the morning.

Ablou is a young man prisoner of a dream and a park. He meets strange characters who try to lock him up a little more in this long sleep.

Looking for a place where they can live their romantic idyll, a love triangle ‘the weirdos’ will go on multiple dates, good and bad, that will eventually rush them to a tragic end.

Two men meet in a park: Haldern has on a black balaclava, while Ablou is wearing white underpants. The film is based on choreography by Daniel Larrieu, who was invited to "play with the story board" of Alfred Jarry's book "Haldernablou", with illustrations by Tom de Pékin.