A young black pianist becomes embroiled in the lives of an upper-class white family set among the racial tensions, infidelity, violence, and other nostalgic events in early 1900s New York City.

The son of the inventor of a matter-transporter, which turned him into a monster when he tried to transport himself along with a tiny housefly, continues to pursue his father's experiment, while his own two sons attempt to extricate him, themselves and the family name from further disaster and scandal.

Honeymooning in Bavaria, a young couple becomes stranded and is forced to stay the night in the area. Doctor Ravna, owner of the impressive chateau that sits imposingly above the village, invites them to dinner that evening. Their association with Ravna and his charming, beautiful family is to prove disastrous.

In Tiger Bay, the docklands of Cardiff, rough-and-tumble street urchin Gillie witnesses the brutal killing of a young woman at the hands of visiting Polish sailor Korchinsky. Instead of reporting the crime to the authorities, Gillie merely pockets a prize for herself — Korchinsky's shiny black revolver — and flees the scene. When Detective Graham discovers that Gillie has the murder weapon, the fiery young girl weaves a web of lies to throw him off course.

Unscrupulously ambitious Brutus Jones escapes from jail after killing a guard and through bluff and bravado finds himself the emperor of a Caribbean island.

Hancock's Half Hour is a BBC radio comedy, and later television comedy, series of the 1950s and 60s written by Ray Galton and Alan Simpson. The series starred Tony Hancock, with Sid James; the radio version also co-starred, at various times, Moira Lister, Andrée Melly, Hattie Jacques, Bill Kerr and Kenneth Williams. The final television series, renamed simply Hancock, starred Hancock alone. Comedian Tony Hancock starred in the show, playing an exaggerated and much poorer version of his own character and lifestyle, Anthony Aloysius St John Hancock, a down-at-heel comedian living at the dilapidated 23 Railway Cuttings in East Cheam. The series was influential in the development of the situation comedy, with its move away from radio variety towards a focus on character development.