Crank up the 8-track and flash back to a time when platform shoes and puka shells were all the rage in this hilarious retro-sitcom. For Eric, Kelso, Jackie, Hyde, Donna and Fez, a group of high school teens who spend most of their time hanging out in Eric’s basement, life in the ‘70s isn’t always so groovy. But between trying to figure out the meaning of life, avoiding their parents, and dealing with out-of-control hormones, they’ve learned one thing for sure: they’ll always get by with a little help from their friends.

WEST AFRICA 1869 - Slave trade is illegal. There is a revolt on a slave ship - twenty four men fight for their lives. Out-gunned, the revolt fails but a second uprising is planned.

Jon Porter returns to his hometown after the sudden and bizarre death of his mother. He hopes to leave as soon as the funeral is over but it's too late. The sinister forces that caused his sister's brutal murder 30 years ago are back. Jon knows the nightmare can't continue. He must stand up to his fear and exorcise the demons who have risen again to take posession of his beautiful teenage daughter - body and soul.

Superhuman Samurai Syber-Squad is an American television series. It was produced by Tsuburaya Productions, Ultracom and DIC Entertainment, with distribution by All American Television, and ran for one season from September 12, 1994 to April 11, 1995 in syndication, as well as on ABC. It was an adaptation of the Japanese tokusatsu series Denkou Choujin Gridman which was produced by Tsuburaya Productions. The series was originally going to be named PowerBoy but was renamed Superhuman Samurai Syber-Squad to avoid confusion with Saban Entertainment's Mighty Morphin Power Rangers. The series development mirrored the creative construct established earlier with the Teenage Mutant Ninja Turtles. The master toy licensee -- Playmates Toys—funded the series, interpolated American development via toy licensing rights, and did a commercial buy-in on the Fox Network, where Haim Saban had established a kids block of time with other programs like "Power Rangers." Playmates called upon the development team at DIC. DIC, Pangea and Playmates' marketing group created an ensemble of character names, traits and profiles, which were spun into a most ambiguous series offering. More than anything else, this was a quick-to-market slam dunk to capitalize on the upsurge in popularity of imported Japanese monster-robot shows which could be adapted with new, regionalized live-action footage.