What do you do when the whole world is against you and you're still a child? Ema Černá, the heroine of a story inspired by real fates, finally manages to find the strength and will to survive in herself. The most important thing is to believe in yourself. But if you are truly alone, you have to create someone else in yourself with whom you can talk, argue and hope. It is not easy. When your own mother betrays you, you also need to believe that somewhere far away, someone who cares about you is waiting. And even if it's only in America, it's a light for you to help you get through even the darkest moments. On her way, Ema Černá overcomes the hardships of a children's home, foster care and a "shepherd."

An original story told by Uncle Igor, a son of Russian aristocrats, and his nine year old grandson Tonda. A powerful story of complicated times around 1968, a story full of contrasts: Whether it is the relation between what Grandpa's plentiful life entails and Tonda's imminent children's presence, or between poetry and fine humor and dramatic situations of military occupation. Or generally between everyday worries of a person and the pressure of great history. On grandpa's life story, mapping a big part of the 20th century traumas, one can see how much an individual's fate depends on the movement and changes of history. And how much one can defy it and maintain inner firmness and integrity. Or perhaps just dear life.

Rouzbeh arrives in Prague, far from his troubled family life in Tehran, to research his father’s past. Visiting the flat where his father, a communist expatriate, lived 50 years ago, in the times of Czechoslovakia, he is stopped by a policewoman investigating a recent accident. The current resident of the flat, Vladimir, who turns out to be Rouzbeh’s half-brother, has fallen out the window. Discovering hidden corners of Vladimir’s life and getting closer to his soul, Rouzbeh learns a shocking truth about his father, totally contradicting the image of a hero he had about him. This puts him on the path which led to Vladimir's fall from the window.

Martin was a veterinarian at the top of his game, until a dramatic life changing incident at work. It resulted in an inability to communicate with the world, spending the rest of his days in total isolation. The women in Martin's life are the narrators: his wife, his mother and his colleague, Jana, whose horse he was treating on that fateful day.

Thirty-something Jonas is not doing well at the moment. He has been taking antibiotics for a long time, so he is out of shape, and the trainer does not nominate him for the upcoming boxing match, he had a fight with a homosexual customer at work and is facing criminal charges because of that, and he also got a little involved with his colleague Silva, which logically does not please Jonas's friend Klařá. But Jonas hides the biggest problem by far from everyone. Although the suspicion of rectal cancer is fortunately not confirmed, the method of treatment of the damaged colon nevertheless shocks him - he has to regularly insert a dilator into his ass!

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

The film chronicles the events of a village on the Czech-Austrian border from the 1930s to 1950s, where genocide occurred due to fallout between German citizens and Czechs who collaborated with the Nazi regime during the war.

David must join forces with police analyst Petra as they are drawn deep into the tangled web of who controls the flow of meth into Europe.

Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.