Ten years ago, 304 innocent people aboard the Sewol ferry in Korea lost their lives at sea. The reason for the sinking and the complete failure of the rescue are crucial factors yet to be revealed. But the government continues to withhold key evidence, citing national security reasons. This documentary finds a conclusion of why all the matters have gone wrong.

“What kind of person do you think former President Park Geunhye is?” Sohn Seokhee, a journalist, gives a clear and sharp answer that he “shares the common ideas that people in our country have.” That common idea has led millions to bring candles to the streets, correcting a thread of history that has gone awry, and gather a sense of hope among people. Candlelight Revolution portrays the voices of citizens from various generations, political figures of different parties, and the witnesses of an administration under improper influence. It is a documentary that identifies the genuine structure of politics and society by following how Park entered politics along with government records up until March 10.

The National Intelligence Service (NIS) intervened with the 2012 presidential election, and the court has acquitted NIS. This documentary tracks the long process where a special team of prosecutors formed after the inauguration of PARK Geunhye administration discovering the truth under all kinds of external pressures and obstructions. This documentary also tracks the footsteps of the late LEE Namjong, who reminded us the NIS Intervention incident.

A documentary that reports on the the rescue failure of the Sewol incident. In the days of media control, Park Geun-hye and her government sabotaged the screening of "Diving Bell" at the Busan International Film Festival.

Public Broadcasting has changed over the last ten years and now it is on the wrong track.

A documentary on the South Korean ferry disaster that claimed the lives of more than 300 passengers in April, 2014.

It is year 2011 and the government still talks of economic growth through medical care under the table. In reality, common people cannot afford to go to a hospital. They are nothing but extra casts in a promotional film for showing. The reality is a white jungle where medical care has become the market of extreme commercialization and doctors and patients are just too familiar with the physiology of jungle life. New rules and regulations must be practiced in this jungle. The film finds a solution by looking at medical care not as a personal means of production but community welfare.