1937 Warsaw, Poland. The Jewish mafia rules the city. Head honcho is gangster socialist, Buddy Kaplica. His right-hand man, boxer, Jakub Szapiro who dreams of taking over Buddy's top spot as King of Warsaw.

The rise and fall of a soccer club owner, discovering the harsh reality of the sport, often connected with crime and fraud.

Ekipa is a Polish political drama TV series created and directed by Agnieszka Holland, aired from 13 September 2007 until 6 December 2007 on Polsat. Ekipa is the second Polish political fiction series after the 1980s miniseries The Career of Nicodemus Dyzma.

Kryminalni was a Polish crime drama television series that aired on TVN network from September 18, 2004 until May 24, 2008. It ran for 8 seasons and 101 episodes were broadcast in total. It was created by Polish director and screenwriter Piotr Wereśniak and produced by MTL Maxfilm studio. The series followed life and work of police officers from the elite Criminal Terror and Murders Division of the Warsaw Metropolitan Police; the title refers to police officers in the crime section. The three main characters were Adam Zawada, an experienced, tough cup, his younger colleague Marek Brodecki and Barbara Storosz, an ambitious female officer who in the first season joins the team just after graduating. Although none of the main actors had had star status before the series debuted, all three of them rose to prominence and popularity during the 5-year-long run. Many of Poland's best known actors guest starred, usually playing roles of people involved in just one particular investigation. The serial was one of the most popular in Poland: each week it had an audience of 4 million.

Little town. Józef Struziak, a local veterinarian, is bored with his wife Anna and her passion - ballet. He secretly meets his lover in his office. One day, a student, Wiktor Malec, comes to the vet for his internship ...

Adapted from a series of fantasy novels by the Polish author Andrzej Sapkowski, The Witcher tells the tale of Geralt, one of a few remaining "witchers" — traveling monster hunters for hire, gifted with unnatural powers.

Christmas is coming. Little Ania dreams of a doll she saw in a shop window.

The story of catholic saint Maximilian Kolbe (1894-1941), who volunteered to die in place of a stranger in the Nazi concentration camp of Auschwitz.

Originally made for Polish television, “The Decalogue” focuses on the residents of a housing complex in late-Communist Poland, whose lives become subtly intertwined as they face emotional dilemmas that are at once deeply personal and universally human. Its ten hour-long films, drawing from the Ten Commandments for thematic inspiration and an overarching structure, grapple deftly with complex moral and existential questions concerning life, death, love, hate, truth, and the passage of time.

On the eve of the Day of the Dead, among mysterious old rituals of the Vilnius region, ghosts of the past and present start to appear.

Jacek, an angry drifter, murders a taxi driver, brutally and without motive. His case is assigned to Piotr, an idealistic young lawyer who is morally opposed to the death penalty, and their interactions take on an emotional honesty that throws into stark relief for Piotr the injustice of killing of any kind.

A young farm boy spends his days dreaming and making totem-pole like sculptures out of wood. His brother is a go-getter: studies agricultural engineering, comes back with diploma to marry the pretty girl next door. The dreamer graces puts his sculptures around, invoking anger of his father and ridicule of the peasants who find him useless. During the brother's wedding he sets his totems ablaze. He makes a pass at his new sister-in-law, but returns to his own reveries. In the end he hears a call to bring a log out of the marshes, but during the escapade sinks into the bog.