Best-selling author Ted Gold faces a moral dilemma when Velocity, an avant-garde performance artist and the living embodiment of integrity, rocks his 1% world.

When Chance (Brian Presley) returns home after five years in jail, he is determined to escape his past, start a new life and make peace with his father, (Ed Harris, Golden Globe® winner), who is the head of the Aryan Brotherhood prison gang and serving a life sentence for murder. Upon his release, his dreams of a crime-free future begin to disintegrate when he is forced to assume his best friend's outrageous debt to a local mobster. Despite being thrust back into a world of organized fighting, drug dealing and ties to corrupt police agents, Chance falls in love with Pearl (Academy Award® nominee Taraji P. Henson) and the prospect of living a normal life seems almost within reach. But will he be able to escape the crimes of his father and his past?

Within L.A. incredibly diverse landscape, two dedicated cops are relentless when it comes to solving crime. Detective Joe Friday is a seasoned veteran who has seen it all. Through his voiceovers, viewers will gain insight into the crime investigation process, as well as hear the honest thoughts of a 21st century cop. Although a veteran of the beat, Friday still has the same passion and energy as his young partner, Frank Smith, who has recently been promoted to the robbery/homicide division from vice.

While attending a Hollywood premiere with a famous action star, a crazed fan pulls a gun—but her movie hunk turns into a coward, and it's Vallery who becomes the hero. Suddenly, she's thrown into a world of action and danger as owner of a Hollywood protection agency, Vallery Irons Protection (V.I.P.), taking risks to protect others at a price few are willing to pay.

In this erotic mystery, an incredibly handsome photographer and his beautiful supermodel are on the roof of the photographer's building having sex, where an intruder murders them. The police assign Detective, Jessica Brody, to the case, but when she becomes sexually involved with the prime suspect, the photographer's identical twin brother, she risks becoming another victim in a series of murders.

In this modern retelling of High Plains Drifter, a female biker rides into a desert town to seek revenge on "Angel" and his ruthless gang.

Blade, Tunneler, and Pinhead go toe-to-toe with a team of terrifying, gremlin-like creatures known as "Totems" that are sent by the Egyptian demon Sutekh to recapture the magic stolen by Toulon.

Matthew Cameron (Jay Richardson) is a lawyer undergoing a midlife crisis despite having a seemingly perfect life with his wife, advertising executive Jessica (Candy Clark), and his young son. When he champions a homeless shelter facing eviction, his problems only deepen. Matthew faces pressure from Jessica, whose agency is representing the corporate honcho pushing the eviction, and Matthew is forced to question his values and loyalties.

Set in the late 1980s, this critically acclaimed indie classic from 1992 portrays a gritty side of gay life in Los Angeles. Ethan (Paul Marius), a 27-year-old photographer, believes he has no need for love or commitments, and is living his life amidst one-night stands. Ethan is coaxed by his "best buddy" Dennis (Jason Adams) into attending a reunion of college friends and lovers at a Palm Springs hideaway. What is supposed to be a restful vacation turns into a round of hard drinking and cruel sexual games. By the end of the "vacation," Ethan feels a need for new friends and returns to Los Angeles. Confronting his troubled family life, he calls his father - who doesn't want anything to do with him. In the end, Ethan realizes that he can make his own "family" with friends who will accept each other without judgments.

Tregenza’s second feature takes the form of a highly metaphorical road movie, as the isolated protagonist (Jason Adams) drifts from gainful employment in the East (as an arc welder in Baltimore) to a spiritual apotheosis in the West. “The formal treatment of the material ranges from rapid montage (in the opening sequence) to more conventional editing to lengthy takes without any apparent consistent pattern. Tregenza remains a master cinematographer throughout, and the various ellipses between sequences are often as provocative as the sequences themselves” (Jonathan Rosenbaum).

Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter, Nancy Thompson, traces the cause to child molester Fred Krueger, who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. Nancy and her boyfriend, Glen, must devise a plan to lure the monster out of the realm of nightmares and into the real world...

A homeless man and an abandoned dog find each other on the mean streets of Los Angeles.