Young equestrian Jolie Dumont's Olympic dreams are dashed when her mother moves them from Europe to an urban ranch in Baltimore. An angry Jolie wants to escape until she bonds with a spirited horse named Black Beauty. Jolie will learn to embrace her heritage while continuing toward her Olympic-hopeful future and discover the value of family and home.

This limited series chronicles the incredible true story of Madam C.J. Walker, who was the first African American self-made millionaire.

A door-to-door internet salesman refuses to leave a house until he’s made his sale.

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.