It is 1988. Jacob (Gottfried John), from Hamburg in West Germany, falls in love with Elisabeth (Angelica Domröse) in East Germany. When they secretly meet in East Berlin, it seems the Stasi (secret police) knows about it. When Jacob visits her village, someone informs on him and he is deported. Elisabeth knows who begrudges her this love and takes her revenge. Critics note that in this film, director Heiner Carow revisits the themes of his 1972 smash hit, The Legend of Paul and Paula, which became a cult film throughout Germany.

Actor Ernst Stein, having abdicated from the stage in 1968 in protest of the Soviet invasion of Czechoslovakia, has long since retreated from the world around him. In a remote house encircled by an overgrown garden, he lives in a world of dreams and memories. Suddenly, in 1989, an out-of-kilter society sends forth its progeny. Young people, tramps and characters of all sorts take refuge with Stein for a short span, carrying the turmoil of the times into his house.

In a small village in West Prussia in the 1870s, Germans, Poles, Gypsies and Jews live together as neighbors. One night Johann, a German mill-owner, secretly opens the dam gates and floods the mill of his Jewish rival Levin. After his business is ruined and his calls for justice go unanswered, Levin leaves town.

A story of ten years old Karl who is living in Berlin in the beginning of thirties.

When he reaches age 18, Peter is released from the children's home where he grew up, but this does not mean he is truly ready for adult life.

Two kids suddenly call three very enchanted persons to reality while spending summer in their grandma's village.

The film is set in the 1930s in Germany. Maria Rheine and Mark Löwenthal, two young actors working in a small theater, are in love with each other. Their love affair is interrupted by Nazi racial policies; Mark is no longer allowed to perform in German theaters because he is a Jew. In order to continue acting, he joins the newly formed Jewish Theater in Berlin. Maria, who is not Jewish, faces no restrictions on her career, and she becomes a successful actress at a big theater in Munich. But her love for Mark eventually leads her to decide to sacrifice both career and security to remain close to him. She fakes a suicide, assumes a Jewish identity and, as Manja Löwenthal, joins the Jewish Theater.

Berlin at the end of the 1940s. Anneliese Weyher is working as a switchboard operator. She is living with her aunt after losing her parents in the war – a stroke of fate that has thrown the young woman off course emotionally. Indifferently, she is doing her work; her private life consists of an affair with a black-marketeer. Even when Anneliese witnesses an armed robbery, committed by infamous Wollnick and his gang, she stays lethargic and apathetic – she keeps silent instead of helping the inspector who is a friend of her aunt. It is not until Anneliese by coincidence meets her former lover, the watchmaker Kurt, that her life seems to take a positive turn.

Vienna, 1813-1819: Beethoven (played by Donatas Banionis) is at the peak of his fame. Orchestras all over the world play his music, but he lives modestly and is dependent upon private patrons. Nagged by his patronizing brothers, spied upon by officials for his republican beliefs and faced by his progressive hearing loss, the composer becomes more and more isolated. Seeman’s poetic film explores the joys, heartbreak and artistic spirit of the great composer as he works on his Ninth Symphony.

Film by Horst E. Brandt.

World-famous geneticist Professor Hülsenbeck is a man of integrity who refuses to mix science and political gain. When his findings are being used to harm humanity, he immigrates to the USA in 1933 in protest against Nazi racial politics.

a tv-movie by Frank Beyer

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Günter Walcher, 40-years-old, is a hardworking, apolitical West German businessman caught in a moral conflict. He is offered a promotion to become the head of a division—on the condition that he find a reason to fire Zacharias, a communist and the work council chairman.

Hoffi is starting fresh after his release from prison. He travels with his brother to different construction sites in search of Urban, an acquaintance and role model he met during a brief hospital stay. Along the way, Hoffi meets Gila, who sees beyond his past in prison. Despite disapproval from her family, Gila decides to build a relationship and future with Hoffi, but Hoffi initially hesitates at this responsibility. It takes the encouragement of his workers’ brigade for Hoffi to realize his mistake and give his relationship with Gila a chance.

Film by Ralf Kirsten.

It’s the spring of 1945 in a small resort town on the Baltic. Günter is 16 and firmly believes that the Germans will win the war. During the hunt for a forced labourer who is on the run, Günter catches him and watches as he is shot to death. He proudly accepts the award of an Iron Cross before being shipped to the nearby front as part of the last contingent of troops. He is quickly captured by Soviet soldiers, but manages to escape and return home. When the town is occupied by the Red Army, Günter is arrested for the murder of the forced labourer. The film was banned in 1968 before it was completed, and a large portion of the negative was later destroyed.