Elis & Tom is considered one of the most important albums in the history of Brazilian music. Recorded in Los Angeles, in 1974, it was all captured by a team of filmmakers led by director Roberto de Oliveira, who arranged for the duo to meet. The original footage was kept for 45 years until restored and remastered in 2018. The film is also an exciting reunion of the director with the artists and the material he filmed nearly five decades ago.

A Brazilian theatre group that through talent, irony and humour confronted the Brazilian violent dictatorship in the 1970s revolutionising the gay movement worldwide and changing theatre and dance language to an entire generation.

She mesmerised the crowd. The first sight would rapidly disappear and anyone who would get closer would also be surprised. It is not known if she did it for "beauty or precision", as Guimarães Rosa used to say. But the truth is that stereotypes would be destroyed as soon as she would fetch her followers. And revelations would unfold. Behind her suavely acute and toned voice, there was a deep tone that only few could reach. Behind her humble upbringing, there was an uncommon sensibility and intelligence. Her disguise was her irrepressible technique. Elis was pure emotion. And singing was not her final objective, she really wanted to make people happy. This film honours Elis and creates a singular portrait of Brazil's biggest star.

Elis was complete, she had all the attributes which differentiated simple artists from stars. She could enchant crowds in her albums, concerts and in video. Her music was always associated to the stage, site she mastered with brilliance. Throughout her career, these stages would open to her, from the radio days to the Montreux Jazz Festival. This film shows her magic relationship with stage and audience. And also the Bandeirantes theatre, her last stronghold. There she shone in life with her greatest success in theater, the show 'Falso Brilhante', which is also presented and entitles this film. There her body was veiled and her audience went to meet her for the last time, now for a farewell.

Her difficult career beginning in her hometown, Porto Alegre, was not different from her friends' stories. Elis belonged to a group of people born to win. She had the talent, she knew her potential and she just needed to face the world with courage and determination. That is exactly what she did. The result is known by everybody and it is in this film, a unique register of memorable interpretations by Elis, including the song which Elis learned with Tom Jobim and entitles the film.

With a career that has passed the 40-year mark, Cesar Camargo Mariano continues to stay on top of his game. His arranging skills are unique and are permanently set in Brazilian music through singers such as Elis Regina, Simone and just about the best in Brazil and around the world. On the other side of this duo, we find Pedro Mariano, son of Cesar Camargo Mariano and the late Elis Regina. Though father and son had previously collaborated in Pedro’s three solo albums, with Piano & Voz they formalize that artistic synergy with a memorable recording (also available on DVD). Piano & Voz had a limited release of 10,000 units, but in case you are not able to get a hold of the album, there is also DVD release of the same project. You can hear samples of this album in either Pedro Mariano‘s or Cesar Camargo Mariano‘s web sites. Better yet, you can see and hear Cesar Camargo Mariano talking about each track in the CD and DVD at Trama.

After the great success of the Rio season of her show Saudades do Brasil, Elis Regina made this special with Globo. In a circus-inspired stage, she sings Alô, Alô, Marciano by Rita Lee and Roberto de Carvalho; O Bêbado e a Equilibrista by João Bosco and Aldir Blanc; and O Que Foi Feito (de Vera) by Milton Nascimento and Fernando Brant, amongst others.

Recorded in 1973, this TV show brings Elis Regina in an 'ensaio' (improvisation). The programme aired by TV Cultura rescues the living memory of the greatest MPB star through her testimonials on composers and performers. The images are black and white and with camera close-ups, it denounces the restless, strong-willed hands of Elis.