a tv-movie by Frank Beyer

A funny old comedy about ten year old Micha who decide that as a responsible brother he must prevent his older sister - seventeen year old Susi - from any romantic relations.

The adventures of three friends from East Germany on the Black Sea.

The two-piece black and white movie "Brennende Ruhr" portrays the events during the Kapp-Putsch 1920 in a small german town in the Ruhr district. The main protagonist is Ernst Sukrow, a student who sympathises first with the bourgeois forces but finally decided to join the communists in their fight.

Ewald Honig can't break his bad habit. Hardly has he crossed over into the GDR when the strapping, well-built man in his late fifties once again starts courting ladies with fraudulent intentions. His daughter Ina, burdened with the same genes, specializes in married men in their prime. Two criminologists are on the Honigs' trail, but they soon have enough to handle just dealing with each other. Meanwhile, Honig and his daughter have left their wayward path of their own accord.

Impressions of a playground in Berlin. It is also the playing field of the elderly chess and card players - counterpoint to the argument of isolation and emptiness in old age.

The Rabbit Is Me was made in 1965 to encourage discussion of the democratization of East German society. In it, a young student has an affair with a judge who once sentenced her brother for political reasons; she eventually confronts him with his opportunism and hypocrisy. It is a sardonic portrayal of the German Democratic Republic's judicial system and its social implications. The film was banned by officials as an anti-socialist, pessimistic and revisionist attack on the state. It henceforth lent its name to all the banned films of 1965, which became known as the "Rabbit Films." After its release in 1990, The Rabbit Is Me earned critical praise as one of the most important and courageous works ever made in East Germany. It was screened at The Museum of Modern Art in 2005 as part of the film series Rebels with a Cause: The Cinema of East Germany.

Engineer Strebel′s apprentices think of nothing else but music and dancing, although they should really concentrate on their marks. Consequently, Strebel is anything but delighted with his pupil. To top it all, a TV show becomes interested in a performance by Strebel′s apprentices. To calm down their teacher, Jutta Fröhlich, who has already cast an eye on Strebel, makes him an offer: When they better their marks, Strebel would permit them to make a performance on television.

In the late 1950s, the collectivization of agriculture is in full swing in the East German village of Willshagen on the German-German border. Those in charge have to face many obstacles, especially from a large-scale farmer who is unwilling to join the co-op. All of a sudden, mysterious men in a fancy car appear in the village and show an interest in the rundown manor house. Gossip spreads quickly, and some villagers think there will be a re-parceling of properties and a land swap with West Germany. They assume everything will go back to how it used to be and even expect the count to return to his manor. In preparation, the situation in the village escalates at a fevered pitch.

Albert Hauptmann is an out of work waiter in Cologne who is often confused with a former Captain of the Nazi Army. Albert uses this to his advantage and becomes the Director of the Montan Corporation, and a member of the West German Parliament. Herr Karjanke, the real Captain, learns of Albert’s ruse, and wants to claim his "rightful" position in Parliament. But Karjanke cannot come forward until his politicking "Doppelganger" succeeds in passing an amnesty law for war criminals. When Albert is finally brought before a judge on charges of fraud, he learns that this own amnesty law does not apply to him.

This film is the first of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. In early November 1918, Ernst Thälmann is an unwilling soldier serving on the western front. As the revolutionary movement at home is threatened by the betrayal of the Social Democrats and fissures in the working class, Thälmann calls on his fellow soldiers to put down their weapons and unite with the workers in the communist struggle at home. Thälmann’s qualms about which side he is fighting on continue, but when the local police attempt to prevent a shipment of provisions and supplies from reaching the people in Petrograd, he intervenes and the ship is unloaded. With this moment of clarity, Thälmann continues to follow his political convictions and joins the workers at the Hamburg uprising in October 1923.

Lavish adaptation of Wilhelm Hauff′s fairy tale: Young charburner Peter Munk dreams of joining the upper class. He makes a deal with the sinister Holländer-Michel, who offers to trade Peter′s human heart for one made of stone. Once he has the "cold heart" in his body, Peter eventually strikes a fortune and enjoys great wealth, but at the same time, he becomes a bitter and emotionless man – and, having lost all traces of humanity, even murders his wife Lisbeth. Only then does Peter Munk finally realize what has become of him, and he decides to regain his real heart from Holländer-Michel.

The story of Johann Friedrich Böttger, an apothecary’s apprentice and alchemist’s assistant. Fleeing from the Prussian King, he goes to Saxony, where King Frederick August the Strong takes him to a fortress and demands that he create gold. Böttger is equipped with everything he would need for the task, but he has known for a while that actual gold production is a myth and instead experiments with porcelain—white porcelain, as the Chinese are said to possess. In 1709, he finally succeeds in surprising the King with the "white gold," the first white porcelain made in Europe, he hopes for freedom.