Francesca and her husband, Martin, are dreamers. They live a carefree existence oblivious to the increasingly hostile world closing in on them. Their huge Parisian apartment is a refuge for an array of colorful characters in need of a roof over their heads and in particular for Adrien, a filmmaker who turns their home into his office, studio and love-nest. When their mean landlady tries to evict them all and Martin succumbs to the charms of a beautiful vamp, Francesca comes up with some original and entertaining solutions in the defense of her and everybody else's happiness.

Farmer Moussa Sidibé is sent to France by his village in Guinea to buy a new water pump to irrigate the fields of their cooperative. But when he arrives in Paris, half of the money he was given is stolen. He then finds himself in totally unexpected situations, notably among the African undocumented immigrants who occupy a church.

Paula was a brilliant lawyer, defending the most just causes. One day, a man she had just released from prison coldly murders two children. When she realizes that she was mistaken, Paula feels her precious certainties slipping away. She now lives in the anonymity of the street, rehashing her disgust for the world and for others. Will her meeting with Serge, a social worker, give Paula back her taste for life?

The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and later Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of the mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States, the international community, and Lumumba's own administration; a true story of political intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political hegemony.

The comedy in this lively film barely conceals its darker, more serious undertones as it chronicles a young Algerian's eye-opening introduction to the joys and travails of being an immigrant in Paris. Alilo has left his home to pick up an important suitcase for his employer. Unfortunately, he has lost the Parisian address. Fortunately, his cousin Mok, emigrated there several years before with his middle-class family before and is able to act as a guide. Mok, an aspiring rap singer, comes from a middle-class family, but chooses to live on his own in the dilapidated deteriorating 18th district, known as 'Moskova.' Mok characterizes the place as a haven for artists and intellectuals, but it is plainly just a Third World slum filled with tightly knit and colorful neighbors. Mok and Alilo have many interesting, some tragedy-tinged adventures over the five days it takes them to find the suitcase.

Stephen, an international trader, tracks down his ex-wife Patricia in some Amazonian backwater. He needs her consent to a divorce so that he can marry Charlotte. Unfortunately, he discovers a son he didn’t know he had – Mimi-Siku. The young jungle boy yearns to see Paris so Stephen reluctantly agrees to take him back home with him for a few days. How will Mimi-Siku react to life in the great metropolis?

After a conviction for theft, Merwan was expelled from France, where he had lived since the age of one, to Algeria, his country of birth. In a foreign country of which he knows neither the language nor the customs, he finds himself stripped of his belongings and on the street.

The year is 1943 and the place is Balandou, a small village in Guinea. The plot revolves around Adjutant Mariani, some kind of a misfit. Despised by his superiors, hated by his wife Marie-France, he represents colonial France while dreaming of Africa and its mysteries. When pro-independence Lanseye Kante, the new manager of the school, arrives in the village, turmoil arises.

In the summer holidays, a group of women stay behind in Paris whilst their husbands and children take a vacation on the sunny Island of Ré. The women – wives, frustrated spinsters and adolescents – profit from their new-found freedom to sort out their love lives and the men indulge their earthy passions with no less enthusiasm. Only the children seems capable of rising above this infantile summer madness...

The humanitarian aid expedition "Angeles Azules" (Blue Angels), comprising twelve Europeans and six trucks loaded with provisions to alleviate hunger in Sub-Saharan Africa, advances across the continent. As a result of the difficulties the team encounters, disorganization gradually takes over the convoy. Each of the members of the group, little by little, yield to their petty, selfish impulses: violence, power, nostalgia - The breakdown of one of the trucks forces Michele and Nadia to wait at an oasis for the arrival of spare parts. But a starving local tribe settles threateningly near them. The chief of the tribe makes a speech they don't understand, which is followed by a macabre purification ceremony.

After he is dismissed from his umpteenth job, Momo is kicked out of the family home by his fed-up father. He immediately joins his buddy Manu, who is also penniless having just lost his job at a cafeteria. The two decide to ask shady nightclub owner Sammy for a job, and he promptly hires them to transport back two statuettes from Amsterdam. Momo and Manu soon find out that these art objects are stuffed with drugs, but still manage to carry out their mission. They receive one kilo of grass in exchange, which they sell immediately. But while the business is lucrative, they discover that it's not so easy to become a full-fledged drug dealer...

This is a charming and successful farce from director Thomas Gilou, featuring a witty screenplay co-authored by producer Monique Annaud. When a group of African squatters in Paris are threatened with eviction, they find themselves fighting against a bureaucracy that few French citizens understand, let alone immigrants. In desperation, they turn to their best option to resolve this dilemma: they call for a sorcerer from home. The sorcerer hops on a jet to Paris to cast spells on the entrenched bureaucrat, and while en route he strikes up a conversation with a fellow passenger, mentioning his job pays quite well. The interested passenger could stand to make a few extra francs, so he decides to take the sorcerer's place. Once he arrives, this imposter has to act like he knows what he is doing, and at the same time, he had better solve the eviction problem.

A streetwise Paris policeman who takes kickbacks from the minor criminals on his beat to allow them to continue is assigned an idealistic new partner fresh from police academy. He sets out to corrupt him...

French cybernetics genius Victor Frankenstein carries on the work of his notorious ancestor and creates a monster, albeit one with a penchant for philosophy, etiquette and occasional bouts of murderous rage. But when the creature develops a hunger for l'amour, Frankenstein and his understanding fiancé use a cache of freshly murdered strippers to build the creature a beautiful yet dutiful bride. Can the undead find true love in a cold world, or will the French ways of passion unleash some monstrous surprises upon them all?

French secret service agent Josselin Beaumont is dispatched to take down African warlord N'Jala. But when his assignment is canceled, he's shocked to learn that his government is surrendering him to local authorities. He is given a mock trial and sentenced to 20 years of hard labor. But Beaumont escapes from prison and vows not only to avenge himself against his betrayers but also to finish his original assignment.

Bokolo and Mamadou, sweepers in the city of Paris, are looking for a way to pay for the return home of one of their sick comrades. When they find an old book of recipes in the trash, they discover a passion for French cuisine and decide to participate in a televised cooking competition.

L'Etat Sauvage is based on the novel by Georges Conchon which won the highly esteemed Prix de Goncourt. The story chronicles the mindless racism of both the departing French colonial overlords and the emergent black Africans in a newly emerging African state. Laurence (Marie-Christine Barrault) suffers the outrage of her white acquaintances, including her former lover Gravenoir (Claude Brasseur) and her ex-husband Avit (Jacques Dutronc), for her affair with Patrice Doumbe (Doura Mane), an official in the new government. He in turn is ridiculed by his fellow cabinet ministers for stepping out with a white woman. The vilification escalates to such a point that Patrice is brutally murdered, and Laurence barely escapes the country alive, with the help of her ex-husband Avit.

French-Senegalesian production directed by Jacques Champreux.

Rosemonde, hailed as "the Princess" reign over a slum in the Paris suburbs. Herbert, a reporter who came to investigate on the pollution, ends up in a grinding machine of her invention. Rosemonde resells the bones to the church authorities who use them as holy relics. Inspector Adrian Bondu is handling the case... But a young hippie who looks like Jesus will have Rosemonde suddenly feel very earthly feelings...

A small saver discovers the scam that threatens all subscribers to the "Caution foncière". He embarks on an incredible adventure to recover the funds paid in by his friends, and succeeds in exposing the scandal.