As Gerard is shooting a documentary in Marrakesh, he turns his camera toward a young Moroccan boy: Saïd. A love story starts and it will bring Gerard all over Morocco. Through encounters, love adventures, youth's memories, Gerard tries to define his destiny so tied to Morocco.

Samy, a young Franco-Algerian, hits a policeman at a roadblock and must flee France. He takes refuge with his grandfather in Algeria. But he does not speak the local language, and everything is strange to him, even members of his family: Nadia his cousin, a pregnant widow; and Qu'Issam another cousin, who was expelled from France, and hates everything French. Samy's grandfather lives in the memory of a piece of land that no longer produces any wealth. Samy will never give the reason for his presence, but the chaotic climate of the country will revive the chaos that is in him.

Bruno, a bus driver, lives in a problem estate. One day, a group of young people stab him. Since this moment, Bruno spends his time in a meeting point of extreme right-wing people. His only goal is to find the youngs who did that to him, even if he looses everything.

Le Gone du Chaâba (The Kid of the Chaaba), translated into English as Shantytown Kid by Naima Wolf, is an autobiographical novel by Azouz Begag about his life as a young Algerian boy growing up in a shantytown next to Lyon, France, called the Chaâba by its inhabitants. The story covers a period of approximately three years in the life of the protagonist and deals with issues developing from the clash between two cultures, that of France and that of North Africa, as well as the difficulties of finding a cultural identity between the two. The story focuses on the cultural differences between the Arab and French communities, as well as how the two groups react to each other

A team of amateur filmmakers sets off, camera in hand, to the south of Morocco. During their stay, one of the members of the group, Fanette, a vulgar vampire, is murdered. The Moroccan police do not find the culprit, and Paris takes over the case. The inspector in charge of the investigation decides to view all the "works" made on site, in the presence of their author.

Directed by Sid Ali Mazif.