The film follows an emotionally harrowing journey endured by young gay photographer Alex, after he is diagnosed with peritoneal cancer. Abandoned by his brother and his on-again, off-again lover, Alex is forced to face his mortality and the loss of his sexual identity through sheer resilience. A devastating, but ultimately hopeful story of survival and resolve.

The undercover agent with dragon tattoo Kowloon continually helped the police to solve mysterious cases, which made him known as a rising star. However, his impulsive personality dragged him into endless troubles. He got himself into fights with the Macau detective, as well as an American Army veteran Alexander who has a secret linkage to Kowloon’s background…

The financial analysis of a Chinese IT firm has been stolen, and a senior executive at the investment bank that wrote it must pay a ransom before the confidential report is released to the public. However, eyebrows are raised when the thieves ask for a surprisingly low amount for the ransom. What are the thieves really after?

“Ambivalence means… nothing has happened, but you remember everything.” Another coming-of-age story about youngsters who are always desperate for but also afraid of falling in love, director Heiward Mak (High Noon, Ex, Diva) continues to examine the ambivalence of youthful love like an autopsy in this episodic adventure among a group of twenty-something. These characters might be a bunch of losers in love who are searching for self-esteem and recognition, but what make these intertwining tales relevant today are not just the pain and longing, but also the bittersweet memories and emotional growth of Hong Kong’s post-90s generation.

Nan Au-Yeung (Michelle Wai) and Sze Tso-chi (Ken Hung) share the same birthday, go to the same school, love photography, and are just as competitive. But they did not know of each other’s existence until they “crossed swords” at a debate tournament. And they both felt as if the fairytale prince and princess finally found each other. Later in a birthday party, Nan thought Chi played a trick on her, leaving a slap on his face. Four years later, Nan Au-Yeung encounters his ghost and learns that he is already dead...

The Hong Kong chapter of Eric Tsang's "Growing-up Trilogy" bears testimony to the saying: "The kindness of the gods is manifested in allowing young people to embark on life unprepared." Heiward Mak, the 23-year-old director whom people in the inner circle repute to be the next shining star of Hong Kong cinema, crafts a string of vignettes about seven young people about to sit for a major public exam. Clever, humorous, angry and dangerous, this is the Cruel Stories of Youth for the Me Generation of this century of globalization and mediocrity

The actual members of the Hong Kong Baseball Team all prove themselves to be natural actors by playing themselves in this fictional youth drama set in 2004. In a city where baseball culture is non-existent, these baseball players are a minority by choice. The experience teaches them to be free-thinkers in dealing with love, friendship and their own sexuality. It also enables them to find the will to live in the face of death and the strength to conquer losing in a spectatorless sport.

Magic Boy is a beautiful youth romance set in Mongkok where a girl falls in love with two amateur magicians. One is into stage magic. The other is into street magic. Over 30 genuine magic tricks are performed in this first full length feature in Hong Kong to use amateur magicians as the subject matter. Anjo Leung, in his film debut, is a real student of magic while director Adam Wong continues his sensitive and poetic expression of the frailties of youth, this time using magic tricks as an allegory of the illusory nature of love.