A music critic Hugo, suffering from post-divorce depression, is just about to rebuild his life when his jazz musician father Raivo arrives at his door unexpectedly. Spiteful old man announces that he will soon come to his end and expects his only son to take care of him. When an attractive psychotherapist enters the men’s lives, the father and son duo begin to compete for her attention. The old prankster manages to create a number of embarrassing moments in an effort to ruin Hugo’s romantic plans. Andres Maimik’s and Katrin Maimik’s tragicomedy is an exploration of forced closeness, a pursuit of happiness and a road to forgiving through laughter, suspense and tears.

In a poor Estonian village, a group of peasants use magic and folk remedies to survive the winter, and a young woman tries to get a young man to love her.

A young man is taken to a small town hospital after a suicide attempt. Rita is a beautiful married Russian nurse taking care of him.

The movie travels through the 20th century by monitoring a steam boiler. We see the history of Estonia through life, agricultural work and people at different times.

Five people who have recently reached middle-age are driving through Estonia to visit a famous witch-therapist to get rid of their problems. The somber-funny road movie gives a good overview of the life, people and daily problems in Estonia at the end of the Soviet period.

Toomas Nipernaadi is seen roaming the rural landscape, going from village to village looking for the woman of his dreams. He wears a bedraggled white suit but generously pays for any lodging he needs or in one case, even buys a farm. Nipernaadi has a way with words and enchants those he meets with his wild stories about himself. Women find him appealing and the men are entertained as he moves from one locale to the next.

In post-World War II Estonia, Mait Kukemeri, an activist of the Young Communist League arrives to the Metsa collective farm in the back of a traveling cinema truck. As a commissary of the spring sowing, he has orders to usher all the people to the field, even if the water is high enough to soak your boots and the machines sink in the mud. Harald Tuvikene, the head of the farm, keeps dragging his feet, trying to pitch his peasant wisdom against the senseless demands of the central power. For the first time in his life, Kukemeri faces a real problem - does he do what's right or does he follow the party's inept commands in order to further his own career?