Fermin and Julio are two married men whose wives, Justina and Mireya, are political leaders. While Justine is part of a conservative party, Mireya leads one that is feminist. Their husbands have become something completely different to what is generally expected in that is it they who are responsible for caring for their children, cleaning the house, etc...though of course they also get into trouble with women. Fermin and Julio are regulars at a whorehouse who runs Encarna, but it's unusual in that in addition to its main function, it also servers as a nursery.

After the death of the Father, the women of the family gather at an old isolated house. Old rivalries surface causing nobody to notice the youngest daughter, Loli, sneaking out to meet up with a local hermit. The naïve girl quickly ends up pregnant. After Loli is raped whilst travelling home, everything comes to light and causes unexpected changes for the family.

Berta (Tota Alba) has entered, once again, in prison accused of fraud. From the first moment she steps in the jail, she becomes the toy of all the veteran inmates. The number of conflicts in which she is immersed causes her to be transferred several times from penitentiary. In all of them will live some experience that will change her life; she will know love, hate, despair, etc.

Begoña and Pedro are stuck. Despite having been married for many years, now the only thing they have in common is a son obsessed with basketball. A new conjuncture will cause love to resurface.

Harvey hires Mary to seduce his rival Larry and help him gain his revenge. But Maria and Larry fall in love and things become complicated.

In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.

In 1916, while Europe was in the middle of First World War and Spain was enjoying the advantages of being a neutral country, eroticism was called voluptuousness and Senator Duke of Daroca, despite his ancient lineage, fell completely in love with a famous cabaret singer, Rosario "La Criollita", which was a scandal. At that time, it was doubted that decent women had legs - But this mystery was resolved a decade later, when the roaring twenties arrived and, with them, the sensual Lupe Cardoso

The young gypsy Peret and his friend Fidel are owners of an inn frequented by tourists. Peret orders the expansion of the business to a young decorator, who falls madly in love with him. Fifth feature by the Rumelo Peret, built for his brilliance, which here plays the owner of a tourist inn, a gypsy rumba singer whose songs will love both a young woman and her mother. A friendly comedy that has as its background the tourist boom of Spain in the late 1960

After seeing that Nelson kisses his lover, Barlow poisons him. But it turns out that Nelson comes back to life when he was about to be buried. From that moment, Barlow does not stop chasing him to finish his work.

The Lecturer, leader of the Feminine League Against Frivolity, tells the history of eroticism and censorship from the beginning of time until the late 1960s.

Because of his difficult character, Colonel Lennox, commanding at Fort Sharp, a remote outpost on the border of the United States is hated by the soldiers of his troop. The situation is even more complicated when the fort is attacked by Indians.

As the era of silent films finds itself at a close, four down-and-out silent film actors and musicians struggle to find work. Fate leads them to a former star of the silent era as she struggles to escape her reputation as a wild and evil vamp of the silver screen and longs to be just thought of as an honest and decent woman. They join forces, and for a short time have a decent amount of success singing and dancing at clubs and bars. But the public has an insatiable taste for foreign black jazz bands, and they will stop at nothing to become a success.

A couple of friends, "Carmen" (Silvia Solar) and "Miguel"(Germán Cobos), fail to raise the money needed to marry. These difficulties encouraged the illusion of the boy, who wants a shot leaving for another country. The dreams of "Miguel" are approved and encouraged by "Don Pablo", (Pepe Isbert) musician of the Municipal Band and uncle of Carmen, in his years young was unable to reach them. On the other hand, Carmen lives with his aunt "Antonia" (Matilde Muñoz Sanpedro), which does not speak with his brother "Don Pablo", and whose sole ambition is to see married her niece, because in order to "maid" in the family there is enough with her. But with the arrival in Cádiz of the president of a south American country, everything is going to change course.

In 1913 a family of traveling musicians goes to the house of a rich marquise. Lolita, daughter of one of the musicians, encounters the son of the wealthy lady.