Celebrities participating in the U.S. version of the international hit music competition transform themselves to look, move and sound like music idols. The star with the most points will be declared winner of the night and will receive a prize for the charity they represent.

Rafael, Pablo and Anselmo meet at an elders’ home. Their friendship grows based on their sense of humor and will to live. Life at the home can be sad. With their typical wit, they recruit other residents, particularly three ladies nicknamed the Greeks. Together they challenge the home's rules of behavior and register into a sports contest for a juicy prize. Because there are no rules for growing old, Broche de oro: Beginnings celebrates life and reminds us to live it to the fullest until the end.

Ernesto has to deal with his bossy mother-in-law after she moves to his home with her friends.

"Yuniol" Perez and Alberto "Junior" Rios come from opposite sides of the tracks in the Dominican Republic. Aloof and detached, Alberto comes from a wealthy family. Driven and focused, Juan is reared by a devoted mother whose affection makes up for the absence of his father. Juan and his mother survive in a tough and impoverished Barrio on the outskirts of the capital city. Behind every happy moment lies an ominous sense of despair. Yet the joyful Dominican way of life for those surviving on the margins serves as a testament to people anywhere confronted with poverty and injustice.

Janet is a young girl who arrives to New York attracted by the offers of a pseudo movie producer to make her a movie star. Soon enough, she finds out his true intentions.

Dakota, a young American, arrives in the Dominican Republic at the dawn of the Trump era with little idea of why he is there, where he is headed, or what might come next. After checking into a beachside hotel, he finds himself in the crossfire of a volatile love triangle between two hotheads and the mysterious and elusive femme fatale Fabiola. The second feature by Juan Antonio Bisonó (Mosh) is a love letter to film noir both classic and contemporary - if the love letter in question was never sent because it got burned to a crisp by its dejected author - and a romantic comedy in reverse, where a breakup precedes the meet-cute, shaking up the beloved and her suitors like a spiked rum cocktail in the Santo Domingo sun.