Agustín Silva

Agustín Silva

Agustín Silva is an actor, known for Cadena perpetua (1979), Maten al león (1977) and Ángel del barrio (1981).

Movies for Agustín Silva...

Mariana Mariana
Title: Mariana Mariana
Character: Don Sindulfo, the janitor
Released: August 5, 1987
Type: Movie
The story runs in the 1940s Mexico City. A schoolboy (Carlos) falls in love with his best friend's mother (Mariana). Carlos is impressed because this family is not like the ordinary mexican families of the time, because they have many expensive American things, although they are not rich. The drama begins when Carlos gets out of school to go to declare his love to Mariana, and is discovered by his teachers.
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Knock Out
Title: Knock Out
Character: Valdespino
Released: November 22, 1984
Type: Movie
Rodrigo Zaracho, once a promising boxer, is in decline. While fleeing from a gang that is chasing him, he remembers his past.
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Trail of Death
Title: Trail of Death
Released: November 29, 1981
Type: Movie
Thriller directed by Arturo Ripstein.
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La pachanga
Title: La pachanga
Released: April 15, 1981
Type: Movie
In a building, at the same time a girl's birthday is celebrated and an old man who died of cold is being watched.
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Morir de madrugada
Title: Morir de madrugada
Released: March 29, 1980
Type: Movie
A successful lawyer has his life shattered when his beautiful wife is found murdered. An investigation reveals she was lying to him and leading a double life... but who killed her?
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Life Sentence
Title: Life Sentence
Released: August 9, 1979
Type: Movie
After being released from jail, "Tarzan" Lira seeks to rebuild his life as a bank employee. Unfortunately, it might not be as easy as he thinks.
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El albañil
Title: El albañil
Released: October 30, 1975
Type: Movie
Construction worker falls in love with a handicapped woman who aspires to a career as a singer.
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Recodo de purgatorio
Title: Recodo de purgatorio
Released: January 1, 1975
Type: Movie
An unnamed man goes to a hotel to commit suicide with pills while listening to songs by Marlene Dietrich. But that act that seems to trigger the mere memory of places and experiences before dying, suddenly merges with other characters and dramatic experiences, which give life to a limit work, of desperate, almost intolerable courage, obstinate in dismantling all institutional discourses of the history of Mexico, without ceasing to use extraordinarily all possible cinematographic resources.