Daniel Schneidermann
Born: April 5, 1958
in Paris, France
in Paris, France
Daniel Schneidermann (born 5 April 1958, Paris) is a French journalist who focuses on the analysis of televised media. He is mainly active in weekly columns—in the past in Le Monde and presently in Libération and on a video channel: Arrêt sur images (Freeze-frame), formerly broadcast by the public TV channel France 5, but currently financed by subscription. The television show was canceled in 2007 by France 5 direction, an incident that led to the creation of the Arret Sur Images web site.
After his studies at the Centre de formation des journalistes, Daniel Schneidermann joined the newspaper Le Monde in 1981, where he was made a foreign correspondent in 1983. In 1992, he began writing daily columns on television for Le Monde, critiquing the way in which TV presents information and influences viewers, continuing the tradition of television criticism begun thirty years earlier by writers like François Mauriac or Morvan Lebesque (see, on this subject, the book The Critical Eye - The Television Critic (L'œil critique - Le journaliste critique de télévision) by Jérôme Bourdon and Jean-Michel Frodon.)
In 1995, the success of his written columns allowed him to create a weekly program on France 5 called "Arrêt sur images" ("Freeze-Frame"), which he both produced and moderated. The journalist Pascale Clark anchored the show with him during the first year. The objective of Arrêt sur images is to "decode" television's images and talk, and with the help of diverse columnists and journalists, to analyze the sources and the effectiveness of the narrative use of media. The program tries to use the Internet for the purposes of self-criticism. Each month, an internet "forum-master," who is responsible for following the viewer debates in the internet forum for Arrêt sur images, comes on the show to question Daniel Schneidermann about remarks submitted by the contributors to the site.
Schneidermann wrote weekly columns for Le Monde until October 2003, when he was fired, after the publication of his book The Media Nightmare (Le Cauchemar médiatique), in which he deplored the fact that the management of Le Monde had not responded to criticism directed at them by the authors of the book The Dark Side of Le Monde. In his last column (A Column at Sea or Une chronique à la mer), he related how disappointed and surprised he was by the sanctions of a paper, which vaunts its transparency.
He became a media columnist for the daily newspaper Libération, whose publisher, Serge July, he had derided in 1989 in his book Where are the cameras? (Où sont les caméras?); notably, July rebuked Schneidermann for having "changed sides."
Schneidermann shows an equal interest in analysis of the internet as a source of data, notably in regard to the development of blogs, and of the Wikipedia website. In 2006, for example, he stated that he considered the development of anonymous biographers and encyclopedists a terrifying prospect.
As a media critic, Schneidermann has become the target of criticism, either directed at himself personally or at his show, Freeze-Frame. ...
Source: Article "Daniel Schneidermann" from Wikipedia in English, licensed under CC-BY-SA 3.0.
After his studies at the Centre de formation des journalistes, Daniel Schneidermann joined the newspaper Le Monde in 1981, where he was made a foreign correspondent in 1983. In 1992, he began writing daily columns on television for Le Monde, critiquing the way in which TV presents information and influences viewers, continuing the tradition of television criticism begun thirty years earlier by writers like François Mauriac or Morvan Lebesque (see, on this subject, the book The Critical Eye - The Television Critic (L'œil critique - Le journaliste critique de télévision) by Jérôme Bourdon and Jean-Michel Frodon.)
In 1995, the success of his written columns allowed him to create a weekly program on France 5 called "Arrêt sur images" ("Freeze-Frame"), which he both produced and moderated. The journalist Pascale Clark anchored the show with him during the first year. The objective of Arrêt sur images is to "decode" television's images and talk, and with the help of diverse columnists and journalists, to analyze the sources and the effectiveness of the narrative use of media. The program tries to use the Internet for the purposes of self-criticism. Each month, an internet "forum-master," who is responsible for following the viewer debates in the internet forum for Arrêt sur images, comes on the show to question Daniel Schneidermann about remarks submitted by the contributors to the site.
Schneidermann wrote weekly columns for Le Monde until October 2003, when he was fired, after the publication of his book The Media Nightmare (Le Cauchemar médiatique), in which he deplored the fact that the management of Le Monde had not responded to criticism directed at them by the authors of the book The Dark Side of Le Monde. In his last column (A Column at Sea or Une chronique à la mer), he related how disappointed and surprised he was by the sanctions of a paper, which vaunts its transparency.
He became a media columnist for the daily newspaper Libération, whose publisher, Serge July, he had derided in 1989 in his book Where are the cameras? (Où sont les caméras?); notably, July rebuked Schneidermann for having "changed sides."
Schneidermann shows an equal interest in analysis of the internet as a source of data, notably in regard to the development of blogs, and of the Wikipedia website. In 2006, for example, he stated that he considered the development of anonymous biographers and encyclopedists a terrifying prospect.
As a media critic, Schneidermann has become the target of criticism, either directed at himself personally or at his show, Freeze-Frame. ...
Source: Article "Daniel Schneidermann" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Movies for Daniel Schneidermann...
Title: Enfin pris ?
Character: Self (archive footage)
Released: October 2, 2002
Type: Movie
Pierre Carles, the dispenser of justice seen in “Pas vu, pas pris,” is back in the saddle. After attacking French television star reporters, his new target is television critics as represented by Daniel Schneidermann, host of the "Arrêt sur images" show. “Enfin pris ?” analyzes censure at work in television. It is also a thought-provoking look at how power changes people and the intimate forces between ambition and loyalty. A cruel, biting comedy from which no one really comes out unscathed.
Title: Arrêt sur images : le traitement par la télévison de la grêve de 1995
Character: Self
Released: January 20, 1996
Type: Movie
Title: Apostrophes
Character: Self - Panelist
Released: January 10, 1975
Type: TV
Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.
Title: Apostrophes
Character: Self
Released: January 10, 1975
Type: TV
Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.
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