Lola, submerged in the transition from child to adult, within her silence has to assume the sale of the house in the family town that implies the acceptance of the death of her grandfather together with the oblivion of the past.

What begins as an ordinary board in a traditional apartment building to vote the renewal of the elevator, turns into an unexpected debate about the limits of pacific coexistence.

Alba, an elderly woman living with her daughter, is unhappy with the way her daughter’s partner treats her. When she finds herself alone with him, she will have to decide how far she is willing to go in order to save her most loved one from a life of suffering.

In 1920s Madrid, four women at the National Telephone Company ring in revolution as they deal with romance, envy and the modern workplace.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

"Dama de Porto Pim" tells the story of a rich woman who arrives at a little Portuguese island while her husband is in the II World War; there, a humble fisherman, promised to marry a girl of the town, falls in love with her, and she will also fall in love with him, but his husband could come back.

David is a teenager who feels he doesn't belong to a life where his family, friends and the girl he loves seem not to understand him.

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

A serpent, created by radioactivity, threatens a Spanish coastal town.