This short piece by Athina Rachel Tsangari, commissioned for the seventieth edition of the Venice Film Festival in 2013, draws on Jean-Luc Godard's "Contempt" and functions as a meditation on the state of cinema, depicting two film projectors contemplating the uncertainty of their future.

Seven girls, a mansion perched on a Cycladic rock, a cycle of lessons on discipline, desire and demise-infinitely.

Marina, 23, is growing up with her architect father in a prototype factory town by the sea. Finding the human species strange and repellent, she keeps her distance...that is until a stranger comes to town and challenges her to a foosball duel, on her own table. Her father, meanwhile, ritualistically prepares for his exit from the 20th century, which he considers to be "overrated."

At a Greek hotel in the off-season, a chambermaid, a man obsessed with BMW cars, and a photo-store clerk attempt to film and photograph various badly re-enacted struggles between a man and a woman.