Keith Prentice

Keith Prentice

Born: February 21, 1940
Died: September 27, 1992
in Dayton, Ohio, USA
Keith Prentice was an American TV, film and stage actor, whose most famous role was the part of Larry in both the original stage and film versions of The Boys in the Band. Prentice also appeared on the TV soap Dark Shadows during the series' final months in 1971. For a number of years, his picture was displayed on the Tasters Choice coffee label.

In 1982, Keith Prentice co-founded Kettering Theatre Under the Stars, and directed summer shows there until the year of his death.

Prentice died of AIDS-related cancer on September 27, 1992, in Kettering, Ohio.

Movies for Keith Prentice...

The History of 'Cruising'
Title: The History of 'Cruising'
Character: Self (archive footage)
Released: September 18, 2007
Type: Movie
Part one of the making of William Friedkin’s 1980 thriller "Cruising" and the controversies it created.
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Exorcising 'Cruising'
Title: Exorcising 'Cruising'
Character: Self (archive footage)
Released: September 18, 2007
Type: Movie
Part two of the making of William Friedkin's 1980 thriller "Cruising" and the controversies it created.
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Cruising
Title: Cruising
Character: Joey
Released: February 15, 1980
Type: Movie
When New York is caught in the grip of a sadistic serial killer who preys on patrons of the city's underground bars, young rookie Steve Burns infiltrates the S&M subculture to try and lure him out of the shadows.
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The Legend of Nigger Charley
Title: The Legend of Nigger Charley
Character: Niles Fowler
Released: March 16, 1972
Type: Movie
A trio of runaway slaves evade authorities in the Old West.
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The Boys in the Band
Title: The Boys in the Band
Character: Larry
Released: March 16, 1970
Type: Movie
A witty, perceptive and devastating look at the personal agendas and suppressed revelations swirling among a group of gay men in Manhattan. Harold is celebrating a birthday, and his friend Michael has drafted some other friends to help commemorate the event. As the evening progresses, the alcohol flows, the knives come out, and Michael's demand that the group participate in a devious telephone game, unleashing dormant and unspoken emotions.