La Hurlette and Carmen are a pair of philosophical tramps who enjoy simple pleasures in the company of the cheerful Sosthène. As in the fairy tales, La Hurlette learns that he has just inherited a tidy fortune, provided he can find a job. By dint of hard work, he manages to do so, and a banquet brings together his disinherited friends. Determined to live the high life, La Hurlette and Carmen lose all their inheritance at the Cabourg casino, and end up as philosophical as ever on their favorite bench.

Taking advantage of the shooting of a film, gangsters stage a hold -up. A black man, Selim, is unfairly accused.

The life story of famed French aviatrix Helene Boucher is detailed in Horizons sans fin (Endless Horizons). Giselle Pascal stars as Boucher, who is first seen in 1930, leaving her millinery shop behind in favor of the wild blue yonder. Though the world of aviation was still essentially an all-male one (despite England's Amy Johnson and America's Amelia Earhart), Boucher perseveres, eventually breaking all existing male and female speed and height records. A bit slow on the uptake in the dramatic scenes, the film soars (no pun intended) during the aerial sequences. Horizons san Fin was the winner of the Catholic Award at the 1953 Cannes Film Festival.

A couple of dancers performs in a night club. The man is jealous of Gina, his partner,and keeps making scenes to her, going as far as bullying her on the stage during their act. A man gets killed. The dancer is suspected for being jealous of all the other men. Another potential culprit could the father of Gina since he overprotected his daughter. The real culprit will be unmasked after the police detective finds the murder has something to with the Occupation period.

Renaud, a young student who is camping alone at the moment, has a dream one night, in which the woman of his dreams appears. When he wakes up the next morning, he cannot believe his eyes: the creature of the dream is there by the side of the road, in the flesh! The woman accepts to drive Renaud to Montargis but it is only after she has dropped him off there that he realizes that what he experienced for her was love at first sight. He then decides not to return to Paris but to try and find the wonderful stranger in Montargis. He discovers that the woman's name is Clara and that she is the member of a drama company.

Maurice Vallier, nicknamed "Ma Pomme"(which means "myself" in slang), is a cheerful man, well aware that money does not make happiness and who, of all things, prices freedom. Which is why he has become a tramp and he has never regretted his choice of life. Things go smoothly until the day he inherits a huge amount of money. He first refuses it but changes his mind when he realizes that thanks to the inheritance he can help others. Even more enticing is the fact that he must share the big money with a charming air hostess. However once he deems he has done enough good he gives up the money left and resumes his old lifestyle singing along "Ma pomme c'est moi, j'suis plus heureux qu'un roi..."

Story is primarily based on the adventures of Antoine, a young telegraph messenger on his second night of work. He is given three telegrams, one of which is for the president of the Camber of Deputies. Excited, Antoine runs his bicycle into a truck and loses the telegrams. What follows is an amusing and agonizing search for the missing messages. He is assisted first by a glum, wise-beyond-her-years little girl, Amelie; an off-duty police superintendent, a schoolmaster, a cookie-tin maker and a fireman. The harmonica musical theme is played by Flore Falvey.

A journalist who deals with the column "courier du cœur" has the absurd idea of ​​launching an investigation into the death of a pianist whom he claims to have been murdered. To dazzle his wife, a reporter for the newspaper, he disguises the facts in such a way that the police suspect him, then declare him guilty. It takes a number of adventures to get him out of this mess and get him back into his section.

To receive his fiancée and his father at his home, an Oxford student counts on the presence of his aunt from Brazil to serve as his chaperone. The latter having delayed his trip, the young man passes his servant off as his aunt. This results in multiple misunderstandings. Finally, everything works out when the aunt comes.

An honest civil servant learns about his wife’s infidelity. He pretends not to be aware of it and decides to start a businessman career. He soon becomes extremely wealthy and thinks he can win her back.

Banker Jules Taffard (Jules Raimu), a true financier, is a shrewd money-handler. Imprisoned for an alleged swindle, his trial seems to be upsetting those in the government, who may not be so far removed from Taffard's affairs (Affaire Alexandre Stavisky). He escapes from La Santé prison without any difficulty, and the authorities don't seem to be doing anything to find him... Under the false name of Gédéon, he becomes a modest handyman in a corset shop run by Madame Génissier (Pualine Carton), whose morality is as pious as it is legendary. Her son, Hector Génissier (Pierre Stephen), is a foolish young man with no ambition, much to the regret of his young wife, Fernande Génissier (Edwige Feuillère). But it won't be long before Gédéon shows his skills in expanding the modest family business. How far can Gédéon's ascent go before Taffard's voice resounds through Gédon?

On the advice of his impressario, the singer André Soral resumes his former job as a sailor. He falls in love with Pola, the daughter of the owner of the barge, whom he marries after many adventures.

In this musical comedy, all the heirs of a recently deceased uncle must stay in his chateau until they find a buyer for it.If no one is found or if any of them leave, the place will be left to its Chinese servants, who devise tricks to cheat the heirs.

A young sportsman, heir to a tyre manufacturers wants to end the rivalry between his father's company and their main rival, by marrying the daughter of the rival family.