Masahiro Kobayashi

Masahiro Kobayashi

Born: January 6, 1954
Died: August 20, 2022
in Tokyo, Japan
Masahiro Kobayashi (小林 政広 Kobayashi Masahiro, born January 6, 1954) is a Japanese film writer and director.

Kobayashi became the first Japanese filmmaker to win the Grand Prize at the Yubari International Fantastic Film Festival. In its wake, he founded Monkey Town Productions and made three films back to back which won prizes in three consecutive years at Cannes: Kaizokuban Bootleg Film (1999) and Man Walking on Snow (2001) in Un Certain Regard and Koroshi (2000) in the Directors' Fortnight.

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Movies for Masahiro Kobayashi...

Strangers When We Meet
Title: Strangers When We Meet
Released: May 2, 2013
Type: Movie
The minimalistically staged Strangers When We Meet displays similarities with Kobayashi's The Rebirth (2007) and provides a sensitive observation of a couple who, tormented by loss, blame and guilt, adhere rigidly to their daily routine. Will they ever find each other again?
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Where Are You?
Title: Where Are You?
Character: Kawai's Father
Released: November 13, 2009
Type: Movie
A sixteen year old boy, Ryo, experiences the painful ordeal of his mother being hospitalized and then dying. The boy turns to crime, but doesn't find success. He then seeks out his remarried father, but the pain still exists.
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Code Name: Melville
Title: Code Name: Melville
Character: Self
Released: November 15, 2008
Type: Movie
Mixing interviews, rare archival footage and film extracts, the film shows how Melville's works were impacted by what he experienced in his youth during WWII, and how it structured his whole approach to cinema, not only in its thematic but also in its aesthetics.
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The Rebirth
Title: The Rebirth
Character: Junichi
Released: November 24, 2007
Type: Movie
Coincidence and the aftermath of violence. A man's middle-school daughter has been murdered. His wife is already deceased. He tells a counselor he wants to live in anonymity, working with his hands. He moves away and gets a job in a factory. The woman who is the mother of the killer wants to apologize to the father, although she knows it would change nothing. He refuses to meet. She moves back to her hometown. She works in the kitchen at an inn where the man now lives. No one speaks. He eats alone. He reads in his apartment. She walks to her home and has a sandwich. She keeps her eyes lowered. He drives to work. Does either want to connect? What bond can they establish?