Stranded in a small village during Earth's final days, a man seeks solace in the brief human connections he encounters.

Munda is a 70 year old priest who has to find herself again once she's suddenly made to renounce her priesthood.

The Wedding Gift tells a tale of a mother, a son and his wife and a sewing machine. Filmed almost entirely in a car, the cramped space gives tension to both the bumpy journey to a wedding and the characters’ psychology.

One gunshot, one death, one moment out of time that irrevocably links eight minds in disparate parts of the world, putting them in each other's lives, each other's secrets, and in terrible danger. Ordinary people suddenly reborn as "Sensates."

It is the night before Christmas and all through the decrepit school house nothing is stirring, not even a mouse. Well that is not exactly the truth, but what has happened in this weather beaten building in the barren Icelandic tundra is more akin to cruel fantasy than stark reality. A few days ago the participants of an experimental rehab clinic came there in order to cast out their inner demons, stay away from temptation and finally discover a little about their sober selves. That didn’t go quite according to plan, but they discovered Santa was real.

Some people have to live their lives on a constant look out for snakes. Some even have to wear boots all the time. But people in Iceland have the privilege of just wearing whatever shoes they want – without any worries.

Victor is the story of a conscientious if somewhat withdrawn traffic warden who through a series of mishaps finally finds his place in life. While the setting is unusual the film addresses a wide range of emotions and morality; Love, deceit, frustrated longings and human dignity. Victor, the eponymous hero of the film, is torn between his desire for the supermodel Kate le Font and the genuine affection of his co-worker Herdis. Victor's story comes to a head when a crooked traffic warden accuses him to hide his own crimes. With Herdis' help our hero narrowly avoids disaster. In a surprisingly complex plot, the film illustrates the dangers of repressed emotions, the liberating power of love and the ultimate triumph of good. All this takes place within the microcosmic context of the traffic warden's world which becomes a reflection of all human drama.

A middle aged worker does all he can to provide his wife and daughter with good living conditions. They are ungrateful and do not return his affections. When he has an accident at work and goes home in the afternoon, he finds the time to think about how to solve the communication problems in his family. This takes however an unforeseen route.

A woman arrives to Iceland and decides to travel into the country with her daughter to take one last look into her past.

Magnús is a 45-year-old lawyer, whose routine is upset by the personal news that he is suffering from cancer. This causes Magnús to stop and think about himself, his life and his family. If his life is going to end sooner than he expected, he wants to know how much it's been worth to him. Has life been worth living? Is it worth fighting for; is it worth a struggle against death? He takes a look at his family, a group of ordinary people, who are the colourful heroes of everyday life, struggling along in a world far removed from the world of high finance, power politics and international intrigues, but yet to them their lives are lives of high adventure. Those adventures, from the sublime to the ridiculous, form the storyline of the film, told against the background of Magnús' dilemma.

Tommi and his half brother Kiddi travel through Iceland with a money transport. A reunion develops into a nightmare after picking up the hitch-hiker Lísa.

Löggulíf is the third movie in the "-life" trilogy of knockabout comedies about the cheeky lads Thor and Danni. The others are New Life and Pastoral Life.

A young couple moves into an old house. She teaches deaf children, he is a musician, working on his own compositions. Their separate worlds, one silent, the other full of sounds, create a vivid pattern of contrasts, which affect their emotional lives and their living together. From the time they move into the house, they are strangely aware of something odd, especially she, while he concentrates more and more upon his work. A series of incidents adds to her growing uneasiness about the house. Its past seems to creep in on her. She feels as if some tragedy must have befallen the people that lived there before, but when she starts asking around she gets few answers. There is something about the house that seems to be on the verge of overpowering her - something that in an unexpected way is related to her origins and permanently affects her life and destiny.