Twentysomething Miep Gies didn't hesitate when her boss Otto Frank came to her and asked her to hide his family from the Nazis during World War II. For the next two years, Miep, her husband Jan, and the other helpers watched over the eight souls in hiding in the Secret Annex. And it was Miep who found Anne’s Diary and kept it safe so Otto, the only one of the eight who survived, could later share it with the world as one of the most powerful accounts of the Holocaust.

When world-famous conductor Eduard Sporck accepts the job to create an Israeli-Palestinian youth orchestra, he is quickly drawn into a tempest of sheer unsolvable problems.

Ruth, a housewife in a suburb of Jerusalem, divided into two parts, appears as pliable as Play-Doh. While she should be taking care of her ten-year-old daughter and the household, her routine is falling apart and she is falling further into depression. Israel is just before the outbreak of the Six-Day War in 1967. The historical events echo in the lives of the characters only from a great distance. The female characters within the family wage a more important battle for their own identity. The director intentionally chose the parallel stories of three female protagonists: ten-year-old Michal who is just starting to acknowledge her sexuality, a single university student and Ruth, a trapped housewife.