In early 2000s China, Qiao Qiao and Guao Bin share a passionate but fragile love. When Guao Bin disappears to try his luck in another province, Qiao Qiao decides to go looking for him.

In the northern Chinese city of Manzhouli, they say there is an elephant that simply sits and ignores the world. Manzhouli becomes an obsession for the protagonists of this film, a longed-for escape from the downward spiral in which they find themselves.

Set in China's underworld, this tale of love and betrayal follows a dancer who fired a gun to protect her mobster boyfriend during a fight. On release from prison 5 years later, she sets out to find him.

A short film omnibus featuring the work of five directors representing five countries involved in the 2017 BRICS summit, an annual international relations conference held between Brazil, Russia, India, China and South Africa. The collection—taking the concept of time as a unifying theme—depicts the economic, political, and social alienations and contradictions that create, compound, and structure issues as wide-ranging as poverty, class stratification, and homeless; familial distress; spousal abuse; and natural disaster.

Revive is one of five short films within the Jia Zhangke-produced omnibus film Where Has Time Gone? with contributions from each of the BRICS countries (Brazil, Russia, India, China, and South Africa). In Jia’s segment, a Chinese couple in the ancient town of Pingyao attempts to breathe new life into their old love as they ponder having a second child. Pingyao, home to the film festival Jia has co-founded, is a highly picturesque UNESCO World Heritage Site, and Jia humorously plays with a very recent dilemma – the second child policy dates from only 2013 – in a setting itself forcibly revived from history.

The life of Tao, and those close to her, is explored in three different time periods: 1999, 2014, and 2025.

Jia Zhangke's short film for Greenpeace East Asia depicts the effects of air pollution in northeast China, a region frequently blanketed in dangerous levels of air pollution. 'Smog Journeys' traces two families from two different backgrounds; one a mining family in Hebei province, and the other a trendy middle class family in Beijing. Both face a similar fate. Air pollution is one of China's most pressing environmental and health issues. Greenpeace calls for a shift from coal to clean renewable energy, as well as short term measures that better safeguard people's health.

Chinese filmmaker Jia Zhangke returns to the shooting locations of his films, along with his actors, friends and close collaborators. Jia recalls the inspiration sources for his movies, such as Platform, Still Life and A Touch of Sin. The film is the memory of a filmmaker and of a country in convulsion, China, which reveals itself little by little.

Four independent stories set in modern China about random acts of violence.

In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.

A study of the friendship between a Chinese woman and a fisherman who came to Italy from Yugoslavia many years ago, who live in a small city-island in the Veneto lagoon.

TEN THOUSAND WAVES is a 9-screen installation shot on location in China. The work poetically weaves together stories linking China’s ancient past and present. Through an architectural installation, the work explores the movement of people across countries and continents and meditates on unfinished journeys. Conceived and made over four years, TEN THOUSAND WAVES sees Julien collaborating with some of China’s leading artistic voices, including the legendary siren of Chinese cinema Maggie Cheung; rising star of Chinese film Zhao Tao; poet Wang Ping; master calligrapher Gong Fagen; artist Yang Fudong; acclaimed cinematographer Zhao Xiaoshi; and a 100-strong Chinese cast and crew. The film’s original musical score is by fellow East Londoner Jah Wobble and The Chinese Dub Orchestra and contemporary classical composer Maria de Alvear.

Focuses on the people, their stories and architecture spanning from the mid-1800s, when Shanghai was opened as a trading port, to the present day.

Jia Zhangke’s short for Modern Weekly’s special tenth anniversary issue.

Short-movie from Stories on Human Rights, 2008.

As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.

An ancestral city; through its delicious botanical garden and its branched canals, we observe the clues and traces of its ancient culture. Two couples of men and women, former lovers, meet again one year later. The yesterday's breath of youth is still perceptible in their conversations. Is it still possible for us to love? Does youth really have an end? Like the networks linking the old city, what type of ecological existence does their culture require? Written by Venice Film Festival

Throughout ten years of a key era in Chinese and Hong Kong history, a girl becomes fixated on a fellow commuter who she observes regularly. While the two never speak to one another, the girl captures her appearance and life changes during the years through various means such as photos and drawings.

A town in Fengjie county is gradually being demolished and flooded to make way for the Three Gorges Dam. A man and woman visit the town to locate their estranged spouses, and become witness to the societal changes.

Han Jie’s feature debut draws on his own experiences growing up in a desolate mining district in northern China’s Shanxi province. A Chinese road movie, Walking on the Wild Side charts a young gang’s continuous flights from one kind of trouble to the next. Mirroring the stark and barren landscape, the film relays the grim story of these delinquents’ dreams of liberty and easy money. Played by nonprofessional actors who are real life troublemakers, the film offers a realism that is at once oppressive, cruel, and sympathetic.

A young dancer, her security-guard boyfriend and others work at World Park, a bizarre cross-pollination of Las Vegas and Epcot Center where visitors can interact with famous international monuments without ever leaving the Beijing suburbs.

Two disaffected, unemployed Chinese youth drift through life on the streets of their industrial town, their paths crossing with that of a dancer who advertises for a liquor company.

China's rapid changes from the late-1970s to the early 1990s, as seen through the lives of four performers in a theater troupe.