The story about the life and career of Pertti 'Spede' Pasanen, it traces the iconic entertainer's most innovative phase of filmmaking. The film sheds light on behind-the-scenes events from the late 1960s to the birth story and popularity of Uuno Turhapuro, and Spede's tireless fight for the entertainment industry against the artistic film circles of the time.

A musical film about human relationships and how today's working life and the pressures of our surroundings can lead a person to the point of exhaustion.

A young Start-up entrepreneur tries to start importing potato to 17th century Finland. The new class of bourgeoisie is emerging and shaking up the stagnant spirit of the era. But nobody believes in potato, and the Turnip-Sellers Guild decides to squash the disturbance caused by the young entrepreneurs. In the end, the bumpy road of potatoes grows into mythical proportions.

Van Hamilton’s first ever trip to his mother’s homeland, Finland, takes a wrong turn as soon as he gets off the plane. The 23-year-old rich kid from California was supposed to have a five-star holiday with his girlfriend Rachel. Instead, he is handcuffed and sent to faraway army barracks to be trained as a commando. Van soon realises that this is not a mistake: he has fallen into a trap set by his parents, who hope that serving in a foreign army will finally turn their loved but spoiled son into a responsible man. Meanwhile, Rachel has to learn to survive in Helsinki without money or a return ticket. She becomes friends with Van’s cousin and his underground rap trio in hopes that familiarizing herself with the customs of the “Nordic white trash” will send her academic career in sociology skyrocketing.

After Janne suddenly disappears while taking out the trash, the police tell Heta there’s nothing they can do - a person has every right to go missing if there is no sign of a crime. Troubled, she begins searching for and finds only one clue: it seems Janne had undergone Koistinen’s radical divorce therapy for men.

Waste Land is a tragicomic ensemble film about a bunch of kids squatting an abandoned seaside hotel. The shabby hotel offers a life outside the society, at least momentarily. The house is more than a house – it is a utopian space for love, partying and freedom. But can the days of ease last when the squat is confronted both by outside forces and by internal conflicts?