‘We are from Bohemia and you ask if we can sing?’ An unknown couple arrives in a small Czech village from abroad and most of the locals watch them with suspicion. Only the old teacher Benda, a lover of music, opens his door to them, only to find that the strangers are closer to them than one might think.

When a beautiful young woman in rural Moravia becomes unexpectedly pregnant, she learns that love is sometimes only skin-deep. Janáček took Gabriela Preissová's grim tale of infanticide and redemption, and condensed it into a masterful, spine-chilling drama. The tragic plight of the protagonists is presented with unsentimental realism that cannot help but trigger a response of deep compassion. Premiered at the National Theatre in the composer's hometown of Brno 115 years ago, the opera took him nine years to complete and is the first in which his distinctive voice can clearly be heard.

In the third film in the series, in 1908, Henry Jones Sr. takes his wife, son and the boy's tutor to the world's first psycho-analytical conference in Viena, Austria. Young Indy meets Princess Sophie of Austia, daughter of Archduke Franz Ferdinand and develops deep feelings for her. He even asks Sigmund Freud, Carl Jung and Alfred Adler for love advice. On their next stop in Florence, Anna Jones becomes the object of affection for the persuasive opera composer Giacomo Puccini. With her husband away in Rome, Anna is torn between her feelings for her husband and the impulsive Italian.