Presents archival material as well as interviews with those who were close to Jacques Brel, who died way too young, at age 49. Jacques Brel sings "Madeleine" over the opening credits of this film and immediately the audience is drawn into the intense theatricality of his performance. Left without a choice, they follow his lead, join the chanson and are left sweaty and breathless, just like Brel. Philippe Kohly, a documentary filmmaker who is renowned for profiling artists, created a fascinating portrait of the legendary singer of Flemish descent who became a master of French chanson.

On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).

A documentary on the influential musician Scott Walker.

The story of the big names that have shaped the musical genres, plus an occasional stopgap for the new rock 'n' roll - comedy.

A 3 volume DVD set issued by Barclay Records to mark the 25th anniversary of Jacques Brel's death. This amazing collection contains performances filmed in European television plateaux, rarities, interviews and reports, carefully restored from original sources to allow the viewer rediscover the amazing work of this extraordinary performer in its original splendor. It also includes five previously unpublished songs that Brel wrote in 1977: La Cathédrale, L'Amour est mort, Mai 40, Avec Élégance, and Sans Exigences .

A TV documentary about the singing career of Jacques Brel, beginning with his childhood in Belgium.

In this documentary, director Frédéric Rossif has mixed footage of the popular, late singer Jacques Brel in concert and stage performances, with his own interpretive shots and news clips to present a synopsis of Brel's career -- from its beginnings in the early 1960s to his death from cancer in 1978. Biographical and personal data have been excluded, which may disappoint some viewers who want to know more about the man himself.

Three attendees at a puppet theater don various roles in order to sing a variety of songs by Jacques Brel, all while hippies and other eccentrics cavort about them.

Ralf Milan, a hitman, arrives in Montpellier to kill an important witness. He checks in a hotel without knowing that his neighbour has become neurotic after his wife left him.

This Belgian/French tale chronicles the efforts of Jacques (Jacques Brel) to find the Old West in modern America. Dressed as cowboy, he travels throughout western American cities and towns and finds others similarly dressed. These idealists gather together and build an old-western-style town in the middle of an abandoned factory, battling local bureaucracies in the process.

In 1916, Vincent van Horst leaves Europe to return to his Canadian homeland. There, he seeks his former love, Maria... but the lady's pride is hurt and she refuses to see him. Vincent then falls for a younger woman, Annie.

When they realize the times are changing, five crooks decide to switch from bank robberies to personality abductions.

In a French seaside town, at a boarding house for civil servants recovering from surgery and maladies, the six male residents' lives change dramatically when two women arrive: Catherine, lively, sexually liberated, willing to kiss, dance, and sleep with the men, and Leonie, reserved, formal, conservative. Leonie finds herself attracted to Leon, a Belgian who was a mercenary in Katanga in 1964, wounded and carrying psychological scars as well. The other men continually play practical jokes on Leon, some of them cruel. As Leon courts Leonie, his horrid mother brings him emotional distress as do his memories of war. Can the two of them get past these obstacles?

A judge investigating police corruption finds that the deeper he digs, the more roadblocks he finds.

Because he has seduced Germaine de Boismenil, Georges Dormont is thrown out of the army by the colonel and husband of the beautiful. After the death of the Count of Boismenil, Dormont arrived at the castle of the widow with the firm intention of taking revenge. From the outset, he seduces Pierrette, the servant, revives the heart of Germaine, having gotten an appointment with the widow, he makes her naked, humiliates and leaves her. Witness of the scene, Martha, the proud orphan, throws herself into the arms of Gaston, faithful order of the colonel, to avenge her mother. George soon flouted their feelings. He then forces Germaine to reveal his attachment to Pierrette and causes a beautiful scandal.

Benjamin is in love with Manette, the innkeeper's beautiful daughter, but she has no intention of giving in to the young doctor until she sees the marriage contract, and marriage does not fit in with Benjamin's spirit of independence. For the same reason he resists the efforts of his sister Bettine to marry him off to Arabelle, the daughter of old Dr. Minxit. Benjamin does agree to go and meet the girl. But that evening his sister finds him at the inn together with Manette, who is arrested by her father. So she decides to go with Benjamin herself. But as result of an incident with the fat Marquis puts paid to the expedition. Benjamin is subjected by the Marquis to a humiliating practical joke. Benjamin is determined to got his revenge. He succeeds thanks to the gorgeous Vicomte Hector de Pont-Cassé, who also helps Manette with her problems against her father. But Benjamin is now arrested by the Marquis...

The story of a notorious French criminal gang of the 1910s.

A teenage girl accuses her primary schoolteacher, Jean Doucet (Jacques Brel), of trying to rape her. The police and the mayor investigate, but Doucet denies the charges. Two other students come forward to reveal more of Doucet's misconduct – one confessing to be his mistress. Doucet faces trial and hard labor if convicted.

This last recital will remain forever marked in the history of the famous hall. It is one of the only testimonies of Jacques Brel on stage where his talent was best expressed. This concert also retains a very strong emotional dimension because it is his last tour.