Mother and daughter, both from the GDR: one experienced it, the other did not. Tamara was born in 1990. Like many of the post-reunification generation, she left her homeland and only comes to visit for her milestone birthday. But everything that seemed secure crumbles within a few days: Tamara (Linda Pöppel) and her mother Barbara (Lina Wendel) are left. The two struggle to maintain their relationship, which cannot be detached from the social developments in which the family was born, grew and disintegrated. Now Tamara must face what she has been running away from: her own history.

Germany, late 90s: Johanna is an intern at a local newspaper and is struggling with the death of her grandmother. In addition to her grief, she is burdened by conflict with her family after she angrily confronts her uncle, who is only interested in his inheritance, at the funeral. She seeks balance by throwing herself headlong into her work. In the process, she comes across an old photograph of a concentration camp guard named Anneliese Deckert. With this find, she hopes to advance her journalistic career: Johanna tracks down the now 80-year-old, but does not expect to meet her entire family on the spot, nor does she expect the fuss the photo causes.

After the fall of the Berlin Wall, a former East German spy resolves to find out who betrayed her and why — and use her lethal skills to exact revenge.

Thomas Brasch was born as a German-Jewish emigrant in England in order to move to the young GDR with his family at the beginning of the 1950s. His father Horst is primarily interested in helping to build the new German state. But Thomas prefers to realize himself as a writer and in doing so discovers his potential as a poetic rebel. His very first play was banned and soon afterwards he lost his place at the film school. When the tanks of the Soviet Union roll through the Czech capital Prague in 1968, Brasch and his girlfriend Sanda and other students try to call for protest in the streets of Berlin - and fail. His own father betrays him to the Stasi and allows Thomas to go to prison. After being paroled, he continues to try his hand at poet writing about love, revolt and death. In the GDR, however, you don't want to have anything to do with someone like him.

A son tries to save his mother's eyesight by drinking beer and playing darts.

Asli and Saeed fall in love in the mid-1990s. Although Asli’s mother is against their relationship, they secretly get married. Then he disappears. A sensitive love story that recounts how Saeed changes Asli’s life – before the entire world is shaken.

During their tour, Werner Träsch and his colleagues Ralle Schieber and Tarik Büyüktürk arrive at a housing estate where the businessman Waselitzki draws their attention to graffiti. Waselitzki plans to rent out the apartments in order to then rent them out again at a higher price. Träsch and his colleagues want to prevent this with all their might.

Heino Ferch and Tanja Wedhorn have an entertaining exchange of blows in the romantic comedy "Liebe verjährt nicht": The two popular actors play a failed dream couple who unexpectedly get a second chance after 20 years and do a lot to restore it from old injuries mess up. The fact that both of them engage in a cat-and-mouse game with the truth about their living conditions causes turbulence at their new beginning.

Luna Kunath (Caroline Erikson) and Tamara Meurer (Anjua Pahl) work together in the Potsdam murder commission. Luna is single, strong, assertive, funny, empathic, sporty and fast in the head. It is an excellent policewoman whose carefree always accompanies with a little naivety and brings you again and again in brenzy situations. Tamara, however, has more mature, adult. The two of the boss Bernhard Henschel (Michael Lott) and the colleagues David Grünbaum (Omar El-Saeidi), Christoph Westermann (Hendrik von Bültzingslöwen), lail-sure Thomas Brandner (Yung No) and legal physician Werner Vense (Bernd Stegemann). Potsdam, Berlin's pretty little sister, confronts the commissars again and again with a wide variety of life effects. However, the team not only determines in Potsdam, but must always be out of the surrounding area. Because the crime does not stop at the city limit.

Perkus and Chase are slacking their lives away in a dusty living room. Finding a gas mask, the friends get torn apart by the question: Is this world outside really that bad?

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.

The attractive Moni works as a photo reporter at the local newspaper of her small hometown Lüsgraf. One day, when the bricks-and-mortar shakers, makers of electric shavers and the village's biggest employer, face bankruptcy, the male workforce occupies the factory to prevent them from selling to a dubious investor. In the meantime, Moni and her friends have come up with a different plan to save the company: Instead of making old-fashioned razors, the squatters should rather switch to the production of modern massage sticks! Now the ladies have to make their plan only the Lüsgrafer men tasty ...

The young, successful lawyer Lena Seidel travels to the small winegrowing town of Hilleritz on behalf of the Federal Ministry of Transport. There she is to convince the unruly villagers of the construction of a highway connection. Hardly Lena has arrived in Hilleritz, the canny head of the county Vogt puts his charming son Steffen on her: He should turn the "city lady" dubiously in the head, so they lose their original travel reason out of sight. However, when the two really fall in love with each other, the complications really start.

Unser Charly is a German television series.

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.