A Spanish theatre company is rehearsing Shakespeare in the original style using young men to play the women's roles. Complicating their endeavors is the previously straight director's infatuation the new young man whose charming everyone except the slightly older young man who he's replacing. When the young man on the way out decides to settle the score with the young man on the way up, he draws on what he's learned in the theatre. Enter Iago.

Andres is a flamenco singer who has just gotten out of prison after being falsely convicted of the murder of Romero, a member of his band. As Andres tries to re-acclimate himself to freedom, he discovers things have not been going his way while he was up the river; his wife Lucia is having an affair with another man, while his bullying father Isidoro is obsessed with getting revenge against Don Manuel, who rules a local crime syndicate known as the Junco Family.

After experiencing a series of traumatic, seemingly unrelated, accidents, Eva begins to notice that her daughter Luna is behaving in increasingly strange ways.

Recently released from a mental hospital, Ricky ties up Marina, a film star he once had sex with and keeps her hostage.

Some friends struggle for their first jobs.

A woman recalls her childhood growing up in the North of Spain, focusing on her relationship with her father.

A drama teacher casts a woman in a play about torture, and the two eventually become lovers. As production of the play develops, the director begins to receive threatening letters.

When the single middle-aged Luis travels from Barcelona to bury the remains of his mother in the vault of his family in Segovia, he is lodged by his aunt Pilar in her old house where he spent his summer of 1936 with her. He meets his cousin Angelica, who was his first love, living on the first floor with her husband and daughter, and he recalls his childhood in times of the Spanish Civil War entwined with the present.

Pablo arrives at the beach and discovers Adrián's schemes to conquer his wife and other women.

Don Mendo, Marquess of Cabra, gallant and dashing knight of medieval Castilian, is also a virtuous mandoline player and a specialist in climbing towers. But he has a bad run, all played and all lost at seven-thirty (card game), and lost his honor playing in his latest escalation of love to the apartment of his beloved and beautiful Magdalena. Don Nuño Manso de Jarama, father of Magdalena, has pledged the hand of his daughter to the Duke of Toro, and surprises Don Mendo in the room of Magdalena. To save the honor of his beloved one, Don Mendo says that no love has led him to the Tower, but he has climbed to steal. Magdalena is clean of all suspicion, and he is condemned to die buried in the castle wall. The Marquess of Moncada and other noble gentlemen, all friends of Don Mendo, facilitate his escape.