In 1958, during the Cold War, two scientists, two worlds, and two ideologies faced a race for survival at the Vinca Scientific Institute near Belgrade.

Year 1973, turmoil between Kosovo Serbs and Albanians in Autonomous province of Kosovo. A story that describes the beginning of the crisis in Kosovo.

A fugitive Air Force general kidnaps a famous movie actress.

Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.

A young American is trying to find a man from her past, but he is never to be found, during the largest conflict on European soil since World War II – the battle of Vukovar. It is a search of identity and truth at a place where truth is selective, elusive, and even feared. A quest for faith, connection, and redemption simmers beneath the search.

Six years after her husband, a prominent Belgrade lawyer, died in a fire, Anja Kolar receives information that makes her question everything she thought she knew about the accident and about her own family as well. At the same time the sudden death of his best friend's daughter draws police inspector Dejan Strbac into a whirlpool of crimes, starting with the mysterious disappearance of a young female lawyer, which took place six years earlier.

After witnessing the murder of night club dancer Patra Kleo, Belgrade's private sleuth Johnny Paluba is on a quest to find the killer. Police inspector Todorov, newly decommissioned is also looking to solve the crime. In the process they may have discovered a lost Serbian film made during WW2.

The story of Rudolf Nureyev, whose escape to the West stunned the world at the height of the Cold War. With his magnetic presence, Nureyev emerged as ballet’s most famous star, a wild and beautiful dancer limited by the world of 1950s Leningrad. His flirtation with Western artists and ideas led him into a high-stakes game of cat and mouse with the KGB.

Somewhere in Europe a Greek owes to a French, who owes to a Slovenian and she owes to an Italian, who owes money to the Greek. A German owes no one, she just wants to get a good night's sleep. The Brit is looking for an exit. The film is shot in one take with a crew and actors coming from over ten countries. Everyone speaks their language and they all understand each other.

Die-hard fans of the 1980s, Vincent and Antoine run a company that supplies doubles of faded stars throughout the whole of France. What starts out as a promising business venture ends up as a calamity when Vincent and Antoine have over forty engagements booked but no one to attend them. They then have a brainwave. Why not get in touch with the real stars of the 1980s and persuade them to make a comeback? Why make do with an imitation when you can have the real McCoy?