A resourceful 12-year-old, who secretly lives alone in her flat in a working-class suburb of London, makes money stealing bikes with her best friend Ali and keeps the social workers off her back by pretending to live with an uncle. But when her estranged father turns up out of the blue, she's forced to confront reality.

Before embarking on his first tour of duty, a young soldier and his father must face up to the painful realities that have long gone unspoken between them.

Those boys you know and love are back! Boys On Film invites you on a voyage of emotion-soaked self-discovery, where same-sex attraction is celebrated, first loves are tenderly formulated, and beautiful secrets burn and bloom. Volume 21: Beautiful Secret includes nine complete films: Theo James Krekis's "Memoirs Of A Geeza" starring Elliot Warren and Tony Richardson; Joe Morris's "We Are Dancers" starring Hans Piesbergen and Simon Eckert; Zachary Ayotte's "My Dad Works The Night Shift" starring Victor Boudreault, Antoine L'Écuyer, and François Trudel; Loïc Hobi's "The Pier Man" starring Hubert Girard and Youssouf Abi-Ayad; Jason Bradbury's "My Sweet Prince" starring Yodi Roodner; Abel Rubinstein's "Dungarees" starring Pete MacHale and Ludovic Jean-Francios; Sam Peter Jackson's "Clothes & Blow" starring David Menkin and Nancy Baldwin; George Dogaru's "A Normal Guy" starring Vlad Bîrzanu and Pedro Aurelian; and Pierce Hadjinicola & Sinclair Suhood's "Pretty Boy" starring Orlando Norman.

Zed, a young British rapper, is about to start his first world tour, when a crippling illness strikes him down, and he is forced to move back in with his family. He tries to find himself between an international music career and Pakistani family traditions.

In the aftermath of an attack, Amy is left voiceless, trapped in a whirlwind of incompetence. She must find a way to confront what has happened, in order to save what matters to her most.

A top lad recollects fights, friends and painting his toenails with his dad.

Drama following the lives of a group of midwives working in the poverty-stricken East End of London during the 1950s, based on the best-selling memoirs of Jennifer Worth.

On the night Danny is due to look after his daughter he is forced to do a job for a local criminal.