Set aboard a houseboat on a fashionable reach of the Thames in 1911, The New Morality tells the story of how the brazen Betty Jones restores dignity to her household and harmony to her marriage, by losing her temper and making a scene. A rising star, Harold Chapin had numerous one-acts and three full-length plays produced before he was killed on the battlefield in 1915 at the age of 29. “When Harold Chapin fell in France the modern British theatre lost a comic writer of high order,” declared the Sunday Times. “For intellectual foolery, his New Morality has no equal in present-day work.” The play was produced five years after his death to great acclaim, and then languished in obscurity for decades until our “lavishly crafted”1 revival introduced New York theatergoers to Chapin’s “unabashed comedy with bite.”2

Liz Lemon, the head writer for a late-night TV variety show in New York, tries to juggle all the egos around her while chasing her own dream.

When a man's daughter is suddenly taken during a championship hockey game – with the captors demanding a billion dollars by game's end – he frantically sets a plan in motion to rescue her and abort an impending explosion before the final buzzer.