A satirical comedy with elements of metaphysical horror about religion in rural 1960s Soviet Russia. Notable for using first-person pseudo-documentary "found footage" technique framing the movie as the creation of the protagonist, who is returns to his home village from the city to discover that a local drunk has formed a doomsday cult.

Returning to his native village at the end of his military service, Victor (Yuri Sarantsev) brought his bride into the house - and soon they got married. Victor works on the collective farm with great enthusiasm, he is appointed a foreman, but the happiness of old Danila, Victor’s father, is overshadowed by dirty gossip - as if Victor’s father is not he, but Shandybovich, whose unseemly deeds were recently exposed by Victor.