Julie Mehretu

Julie Mehretu

Movies for Julie Mehretu...

Lifeline: Clyfford Still
Title: Lifeline: Clyfford Still
Released: November 12, 2019
Type: Movie
Jackson Pollock said, “he makes the rest of us look academic,” Mark Rothko acknowledged him as a “myth-maker” and Clement Greenberg called him “a highly influential maverick and an independent genius.” Clyfford Still, one of the strongest, most original contributors to abstract expressionism, walked away from the commercial art world at the height of his career. Extremely disciplined, principled, and prolific, Still left behind a treasure trove of works like no other major artist in history. With a wonderful mosaic of archival material, found footage and audio recorded by the artist himself, Lifeline paints a picture of a modern icon, his uncompromising creative journey and the price of independence.
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One Hundred and Fifty Years of Painting
Title: One Hundred and Fifty Years of Painting
Released: December 31, 1969
Type: Movie
50 ½ minute 16 mm continuous film loop of artists Luchita Hurtado and Julie Mehretu in conversation. The idea for a film featuring Hurtado and Mehretu grew out of Dean’s incredible chance discovery, in 2019, that these two artists, both longtime friends of hers, shared the same birthday of November 28—and, moreover, that in 2020, Julie would be turning 50, and Luchita 100. Filmed over the course of a single day, January 3, 2020, in Hurtado’s Santa Monica apartment, the artists’ conversation meanders through subjects ranging from motherhood, to the environment, to their experiences immigrating to the U.S. as children, and, most movingly, to painting as a way of understanding one’s place in the world. description adapted from Jennifer King, associate curator of contemporary art at LACMA
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Julie Mehretu: Palimpsest
Title: Julie Mehretu: Palimpsest
Character: Herself
Released: December 31, 1969
Type: Movie
The film traces Ethiopian abstract artist Julie Mehretu’s preparations for her 20 year career retrospective, leading up to the installation and realization of the survey at LACMA in 2019. The artist offers extensive commentary on her work, her process, and the chronology of her career, from her graduate work at RISD (1996–97) to her current expansive multi-layered canvases.