Murders in... is a collection of French-Belgian police TV movies taking place each time in a different French city and region.

Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.

A handyman in a 1940s Paris brothel tries to help the prostitute he loves with her singing career and romantic life.

In 1850, on the isolated French island of Saint-Pierre, a murder shocks the natives. Two fishermen are arrested. One of them, Louis Ollivier, dies in custody. The other, Neel Auguste, is sentenced to death by the guillotine. The island is so small that it has neither a guillotine nor an executioner. While those are sent for Auguste is placed under the supervision of an army Captain.

The beautiful Parisian courtesan Marguerite Gauthier (Cristiana Réali), who is called a "Lady of The Camellia" because of the preference for these flowers, has many devotees among Parisian aristocrats. He really loves one - young Armand Duval (Michaël Cohen). Under the influence of the beloved father's pleas, and despite himself, he declares to Armand that he no longer loves him. She is suffering from tuberculosis, but if possible, she is in company, and renews contacts with rich devotees. Armand tries to forget about her. One evening, at a party, their paths cross again.

To get royal backing on a needed drainage project, a poor French lord must learn to play the delicate games of wit at court at Versailles.

Three aging and failed comedians, Georges Cox, Victor Vialat and Eddie Carpentier, hit the road again with a lousy production of a lousy play, of course under the worst possible conditions.