March 2020. Véra makes a quick trip to Paris to feed a friend’s fish and water her plants while she’s hospitalized with a mild case of Covid. France is already abuzz with rumors of the spreading virus. But instead of hopping on a train back to Montpellier, as planned, she impulsively lies to her fiancé and says all trains have been canceled and she’s stuck in Paris… just as everyone else is hightailing it out of the city and the entire country goes into lockdown. So Véra holes up in her friend’s apartment, relieved to have a bit of quiet time to herself. Then she crosses paths with Sam — a chance meeting that changes her life.

Jilted on his wedding day, Laurent, a stage actor playing the role of the famous seducer Don Juan, cannot help but see his ex-fiancée in every women he meets. In an attempt to mend his broken heart and ego, he tries to seduce them all but none are receptive to his elaborate (and musical) advances. Meanwhile, at the theater, the leading lady quits and the production brings in Laurent’s ex-fiancée as the replacement.

Etienne, 18, tries to find his place within his family. The father, a former skinhead, can’t bear any longer his son’s behavior. He finds him indolent, lazy, dreamy, a night bird. Yet the young man is looking for his father’s admiration, while opposing him at the same time. This paradox, this identity crisis will bring Etienne to a point of no return one morning when his father asks him to come and help him dismantle a small camp of refugees just outside the village.

Daniel copes as best he can with his mother who is desperate to receive news from his father. When the latter finally turns up at Daniel's place the day before his sex change operation so he can become Lisa, Daniel must force his father to at last tell the truth.

When a director sets out to make a film about popular French singer Barbara, both he and the actress who is to play her are overwhelmed by the project.

One night, an interpreter translates a Romanian prostitute's testimony.

On the morning of 23 August 1944 Sacha Guitry was arrested at his Paris appartment, as the French capital was being liberated. Accused of collaboration with the enemy, the author of successful plays ("My Father was Right," "Let's Make a Dream," "Quadrille") and director of the theatre of the Madeleine was to remain captive for sixty days. His detention took from from the depot, to the Vel' d'hiv', then Drancy, and finally Fresnes Prison.

The film is about the French film industry from 1942 to 1944 during the Nazi occupation. The film focuses on assistant director and resistance fighter Jean Devaivre and screenwriter Jean Aurenche. Aurenche is on the move so that he doesn't have to write anything collaborationist. Devaivre is in dangerous political activity. Devaivre also works for the German production company Continental where he is respected. On the other hand, Aurenche's scriptwriting doesn't help how he lives and he is a womanizer which causes him to procrastinate.

Jonas (Clément Sibony), a 23-year-old dad attempts to carry out an important Jewish tradition: burying the foreskin of his newly circumcised son. The forgetful father only has a few hours to complete the task... but have a group of hit men on his trail won't help matters much.

A subsidiary of Générale Financière d'Investissement (GFI), Medic-Hall, a medical equipment company, employs nine salespeople. As part of the restructuring of the group, management decided to separate from them, without paying them severance pay. For this, the company called on Sébastien Jalabier, a degreasing specialist, who undertakes to make them resign by resorting to various means of pressure: tracking down professional misconduct, humiliation, bullying, thankless tasks ...