True crime anthology series about female murderers.

A celebrated painter receives a visit from a cardinal's assistant, who informs him that his mother could become a saint.

Don Matteo is a thoroughly ordinary Catholic priest with an extraordinary ability to read people and solve crimes. He’s a parish priest who never met an unjustly accused person he didn’t want to help.

A young man lives as a recluse in a monastery. In a sort of ecstasy, he begins to talk to nature and recite the gospels.

Angelo gets handcuffed to the bed by Alba who won't let him go. A womanizer rediscovers fear, doubts and desire.

Rome, early 20th century: a wealthy psychiatrist, who runs an asylum for women and lacks imagination in his practice, must find a wet nurse for his infant when his wife panics after childbirth. He brings a peasant, Annette, to Rome, forcing her to leave her own baby behind. To the consternation and increasing anger of the wife, the nanny immediately bonds with the couple's infant son - Annette's a natural. Against a backdrop of leftist demonstrations, Annette, who's lover is a teacher jailed for subversion, asks the doctor to teach her to read and write. Her nature and curiosity, the doctor's bland ideas, he and his wife's problems, and the two infants bring the story to a head.

Aldo e Pino two layers go to Barbara to find out new sexual experiences.

When Pharaoh Rameses II begins to tighten the noose on his Jewish slaves, Israelite Moses, called upon by God, leads his people to freedom.

The study of semantics has convinced Amedio (Jean Rochefort) that things only have relative validity, and that everything is changeable. So it seems, because while on an Italian holiday with his family, he conceives the idea that his aging wife (Marie-Christine Barrault) should assume the role of his mother, and his daughter (Jacqueline Lustig), who has an infant son, should assume the role of his wife and lover. His real mother (Lila Kedrova), an elderly invalid, dies just as this conceit begins to take form, and, inexplicably, the women placidly go along with this odd notion for a time, but eventually return to their former roles.

Harvey, an old man from Scotland lives with his young son and daughter in an isolated house in Patagonia. Upon arrival of the emissaries of a development corporation he promptly stands against them by building a large fence (alambrado). A debut rich with sensibility and violent physicality, an unusual film of wind, isolation, loneliness, desolation ... and madness.