Nathalie Dagenais is a 19 year old girl studying to be a lawyer. New to the city of Montreal, she will soon discover the world of porn. One day, her father (Michel Côté) comes across her picture on the Internet and wants to find her and before she makes what he thinks is a mistake. The story goes from past to present, when a police officer investigates the death of Max, a man who Nathalie knew.

The passage of time is probably the only concrete proof we have that justice exists in this cruel world. Some people would like to stop time in its tracks, while others choose to follow its path. In this story, three men in their early thirties have reached that age when it's time to start thinking about "getting a life", perhaps starting a family. But how do you handle the fact that your friendships are changing? That, slowly, your new family is becoming the center of your ever-shrinking world? What do you do when you realize your youth is a thing of the past?

After the sudden death of her mother, Aurore Gagnon is abused by her disturbed step-mother as her town remains in the silence followed by her death. Based on a true story.

Jean-Charles has an unusual relationship with his mother. He can't break free of her influence even when writing his master's thesis, made up of interviews with the several hundred men who have slept with her. Jean-Charles can identify -- he's one of them. But the incestuous bond between mom-and-son is jeopardized when Jean-Charles meets Cassandra, and Mom shifts her attentions to a hot young stud in retaliation.

In 1838, Francois-Xavier Bouchard (Francis Reddy) fights beside his Quebec countrymen and the English minority.

Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were Québec's most promising young pianists in the mid-1960's when the adventurous Max gets pregnant. She wants to keep the child, but her mother forces her to give him up for adoption; afterwards, Max leaves Québec and music. Now, years later, she returns, obsessed with finding her son. She locates the adoption records, and social services contacts her son to ask if he wants to see her. He refuses, but she keeps trying. Is a relationship with him possible? And what about her musical talent?