Hoping to entrap Maria von Gall, who runs a courageous underground railroad for Jews in France, the Nazis kidnap her son Thomas, a brilliant 11-year-old chess master. An exchange arrangement goes awry and he sees her die in a hail of bullets; but he is rescued by his American father, whom he has never met before, and who plans to flee with him to Spain. However, Queen Maria had solemnly entrusted her little pawn Thomas with a precious secret and a terrifying mission, and it was time for him to move. A pawn may become an important piece by slowly, quietly advancing all the way through the enemy's ranks. Or a pawn may die trying. Retreat is what a pawn can never do.

“With this lavish colour production of Offenbach's The Tales of Hoffman, we are in more conventional, though never dull, territory. It is a handsome, well sung version which stands up well to the contemporary BBC 2 version that graced our screens a Christmas or two ago. (This, too, was a Christmas-time, prestige production). The production and adaptation is by Václav Kaslic, who has produced the opera many times on stage: here he makes imaginative use of the new medium to overcome difficulties inherent in some stories. He has a fine cast, including Jon Piso as a robust Hoffman[,] Sylvia Geszty, Thomas Tipton and Herold Kraus. The orchestra and chorus are from the Bavarian State Opera.” - Brian Baxter, for the BFI.