Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Second "Pfc. Story" sequel and the ninth and final sequel to "Story of Second Class Private", the only one in both series not directed by Seiichi Fukuda.

First "Pfc. Story" sequel and eighth overall sequel to "Story of Second Class Private".

In the mid-Tokugawa period, a conflict arose over the "Seiryū Himon," a secret document left by the former shogun Iesai, bequeathing the eighth shogunate to young Lord Manguro of Owari domain. This document became the center of a struggle between the current shogun, Yoshimune, and Manguro. Iida Daisuke, a member of the shogunate's secret intelligence group, the Kurokuwa Group, stole the document from Owari but was killed by Manguro's men. The document then fell into the hands of Yozakura Ogin, who had pledged her life to Daisuke.

A foot soldier from Tottori domain named Shirai Gonpachi showcased exceptional swordsmanship that even surpassed the domain's champion Honjo Sukehichi during a ceremonial match. Though Gonpachi was promised a promotion to samurai status due to his skills, Sukehichi's father Sukezaemon's intervention out of jealousy prevented this. In anger, Gonpachi killed Sukezaemon and, without realizing it, also mistakenly killed Tomoe, his lover's brother Tsushimo Uemon. Following this, he fled to Kyoto, seeking shelter at the "Murasa" inn operated by Uemon's aunt.

A gripping historical drama that follows the explosive growth of Katsu Kaishu, the hero of the Meiji era, and the interesting human image of his father, Kokichi, who lived for the common people, his neighbors and his children. A film about paternal and maternal love and conjugal love in the creation of mankind, about the healing power of which laughter and tears have. The film that became the last work of the giant star Tsumasaburo Bando.