Carmen, a brave journalist, discovers soon after her mother's death that she has inherited her grandma's house. She decides to move there without knowing it hides dark secrets.

Alcanzar una estrella is a Mexican telenovela first broadcast on Canal de las Estrellas in 1990. The telenovela, which was also broadcast in Latin America and on Univision in the United States, tells the story of an introverted girl's infatuation with her teen idol. The leading roles were played by singers Mariana Garza and Eduardo Capetillo, ex-members of the Mexican pop band Timbiriche. The two also sang the theme songs for the telenovela, which were written by Ricardo Arjona. Arjona and other singers such as Patricia Manterola also made acting cameos. The telenovela was remade into an American show on Nickelodeon called Hollywood Heights. The show premiered June 2012. The success of the telenovela was such that it was made into a film Más que alcanzar una estrella and a sequel telenovela Alcanzar una estrella II, starring Sasha Sokol and Ricky Martin. The story was produced by Luis de Llano, producer and manager of Timbiriche and Garibaldi, and written by actress Rita Macedo, de Llano's mother. Alcanzar una estrella turned out to be Macedo's last credit as an actress before she committed suicide in the mid-1990s.

Julian Ruiz, a real estate salesman and amateur filmmaker, wrote in the company of Anne, his romantic wife, a script that could mean his professional film debut. Mayte, Secretary of sales of real estate, is in love with Julian and, in turn, Jorge Padilla, the head of both, who is married to Josephine, a consumer who buys everything even without knowing it serves, is attracted by Mayte.

An actor from the provinces, a soap-opera star, reaches the big city with dreams of success. Partly through sincerity and partly prompted by an uneasy conscience, he wants to revolutionize the traditional photo-novel by linking it to social and political reality, to "bring social conscience to the masses" by utilizing this traditionally manipulative and alienating mass medium. The film narrates, in a tragicomic tone, the itinerary followed by Gualberto Rodriguez in his efforts to produce his 'revolutionary' photo-novel: the story of a peasant that migrates to the city, becomes a blue-collar worker, tries to establish a union, and ends up falling in love with the factory owner's daughter. The 'revolutionary' ends up being used, manipulated, and his project fails completely.