A Hungarian-Austrian comedy and one of the last emigrant films made in Austria before the industry submitted to pressure from Nazi Germany and ceased to employ Jewish filmmakers.

The sons of small town store owner Anton Polgar have abandoned him for the big city, until financial problems there lead him to rescue them and bring them back.

Eva goes to Budapest to visit her friend Tini's wedding but as soon as she arrives, the husband-to-be brakes up with Tini. When Eva decides to take things into her own hand and follows him to the Hotel Atlantik.

A nobleman gradually falls in love with a woman he was forced by relatives to marry, against his will.

By pure chance, Jessie and his four jazz musicians are hired to play at the cabaret theatre “Trocadero”. Unfortunately, she knows nothing about music and it doesn’t help that all four musicians are in love with her. Jessie doesn’t reciprocate their feelings, because she has a thing for Martin. Unfortunately, Martin believes that Jessie stole his car … and so, right before the premiere at the cabaret, she ends up in jail.

Meine Kusine aus Warschau (My Cousin From Warsaw) was based on a stage play by Louis Verneuil. It's a romantic farce, with the heroine posing as her own cousin to carry on two amours at once.

When a criminal named King Fu who has terrorized a city substitutes himself for a stage actor who resembles him, the staff and spectators at that night's show think the actor is giving an unusually good performance.

During lunch break at the movie studio, the extras rush to the canteen Hans Adalbert Schlettow, Maria Paudler and Luis Trenker are chatting. Eva von Loe a beautiful young extra rushes past; she is looking for her fiancé, Paul Wessel, who is also an extra. She has to return to the set where the famous director Regisseur Hall is shooting a scen. He is dissatisfied with his star, Carla Marventa, who is wrong for the scene he must photograph. Hall notices Eva, but laughs at her desire to replace Marventa. At that moment Conrad Veidt comes on the scene and assumes that Eva is the star.

Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette -- whose job is to entice men -- proves to be more difficult than Rath imagined.

An American billionaire's daughter is obsessed with the idea of marrying a count. Her father would prefer her to marry the son of a competitor. So he comes up with the idea of hiring the dashing Heinz to spoil her aristocratic ways. Heinz introduces himself to her as Count Rüttow-Mallwitz and takes her to Europe. There, the two fall in love, but when she finds out about the scam, she indignantly takes the next ship and returns to America. It is only on the crossing that Heinz manages to convince her that he really loves her

Laurence Gerard has just divorced. While leading fat lover Talandier by the nose, She meets the count Lerski, who now works as waiter but do not tell her. When she hears from her husband he is a waiter, she thinks Lerksi lies and throws him out.

Archduke Alexander (Clive Brook) is better known for his sexual conquests than his diplomatic triumphs. After a lifetime of loving 'em and leaving 'em, the Archduke finally meets a girl he can't leave, Hungarian lass Judith Peredy (Billie Dove). She resists his advances but can't hide the fact that she's in love with him. The Yellow Lily was the second of four cinematic collaborations between star Billie Dove and director Alexander Korda.

Gwynplaine, son of Lord Clancharlie, has a permanent smile carved on his face by the King, in revenge for Gwynplaine's father's treachery. Gwynplaine is adopted by a travelling showman and becomes a popular idol. He falls in love with the blind Dea. The king dies, and his evil jester tries to destroy or corrupt Gwynplaine.

Setting the standard for his later light-hearted biopics The Private Life of Henry VIII and Rembrandt, producer-director Alexander Korda steadfastly refuses to take any of The Private Life of Helen of Troy seriously. Maria Corda, wife of the director, plays the title character as a fetchingly underdressed coquette, oblivious to all the political turmoil she's causing when she allows the handsome Paris (Ricardo Cortez) to kidnap her. Meanwhile, poor King Menelaus (Lewis Stone), Helen's husband, stands by in stoic silence, just as he's done on previous occasions when his wife succumbed to the charms of various sexy suitors (one of whom is played by future cowboy star "Wild Bill" Elliot). Finally galvanized into action, Menelaus reclaims his bride, who seems none the worse for wear for her experiences.

A Man's Past (1927)

In Old Vienna in the days prior to The Great War, a beautiful woman, Hannerl, has her choice of two men; the first is a dashing young army officer who can provide blazing romance and little long-time security. The other is an older man, influential in the affairs of Austria, who could provide wealth...and tender devotion. Hannerl thinks about it.

There is hunger in Siberia during the Russian Civil War. One day while dim-witted peasant Sergei is searching corpses for food, he meets a young woman looking for the town of Novokursk. She asks Sergei to help her get there, and to tell anyone they might meet that he is her husband.

Puffy and his girlfriend want to get married by a judge at the courthouse. However they go to a wrong door and he's mistaken for a defendant in a murder trial.

To avert war between their countries an official marriage is arranged between Crown Prince Boris of Moraine and Princess Flavia of Norvia. Prince Karl of Norvia sees in the alliance an opportunity to gain control of both kingdoms but upon visiting Boris finds him unyielding and independent. Flavia, shedding her stately dignity in the palace garden, is accosted by the flirtatious Boris, who believes her to be the princess' cousin; and falling in love, he realizes that he cannot go through with the planned marriage.

Silent western comedy starring Charles Puffy

Charles Puffy and the cannibals.

Don’t expect much in the way of a plot from Kick Me Again. When a married student falls for her portly dance instructor, Puffy is forced to flee in a ballet tutu from the clutches of her jealous husband. The usual slapstick complications ensue before the cross-dressing funnyman finally locates a new suit of clothes. The viewing pleasure comes not from the run-of-the-mill gags and storyline but from seeing a master wring every ounce of comedy from his ungainly outfit.

A French orphan who grew up in a convent sets out to see Paris. It turns out that she is the heir to a fortune but doesn't know it, and has been lured to Paris by one of the heirs who does know who she is; he plans to swindle her out of her inheritance so he can have everything.

Therese Duverne (Viola Dana) is bored with her even-tempered husband, Edmond (Adolphe Menjou). Isabelle Fevre (Gale Henry) suggests that Edmond go to the bicycle races and stay out all night. Then she takes Therese there and introduces her to manly Petit Mathieu, one of the racers (Maurice B. Flynn). Since he has just quarreled with his sweetheart, Lea (Jetta Goudal), he is glad to have Therese's attention and offers to run away with her after he wins the six-day race. Lea, meanwhile, is spending her time with Edmond. Therese eventually decides she doesn't care for brutes like Mathieu, and Edmond gains a temper and wins his wife back. Lea and Mathieu are reunited, while Isabelle goes back to helping her own alcoholic sweetheart, Igor (Raymond Griffith), break into the movies.

The daughter of a famous painter fleeing thieves who believe she knows where one of her father's original paintings is kept, flees and hides out at the residence of a pair of avowed women hating bachelors.

As the police intensify their bemusing search on Doctor Mabuse's notorious band of gangsters, the deceptive, elusive hypnotist Mabuse simultaneously begins to close in on himself.

Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him.

Doctor Mabuse is a criminal mastermind, doctor of psychology, and master of disguise, armed with the powers of hypnosis and mind control, who oversees the counterfeiting and gambling rackets of the Berlin underworld. He visits gambling dens by night under various guises and aliases, using the power of suggestion to win at cards and finance his plans.

As a young couple stops and rests in a small village inn, the man is abducted by Death and is sequestered behind a huge doorless, windowless wall. The woman finds a mystic entrance and is met by Death, who tells her three separate stories set in exotic locales, all involving circumstances similar to hers.

Out of the three-part burlesque, the only surviving one is the one called Pufi would buy a pair of shoes, with Hungarian inserts. The film is shot on a real-life location, in a Budapest shoe shop, and it portrays the mutual efforts of a puny sales assistant and Pufi, the bladder-of-lard customer, to find him a suitable pair of shoes. The content of the other two parts is not known.