The children Sonja and Helmut Schmitt have lost their parents in a car accident. At first, their grandmother takes over the supervision and care of the two. When she no longer can take care of that due to her health, mayor and brewery operator Gassner provides them a new home. By doing this, he secures respect and approval in the village. What really happened isn’t suspected by anyone: The egocentric Gassner let his underage daughter drive his deregistered, medium-green old Mercedes. During that ride without a license, she caused the accident and forced her father to do an outwardly “good deed”. Because, if the truth came to light, Gassner would have to fear a defeat in the upcoming mayoral elections and damage to his reputation.

Königlich Bayerisches Amtsgericht is a German comedy television series. It was produced by ZDF in the years 1968 to 1972 and contains 52 episodes. It is set in the German Empire shortly before World War I and revolves around the court proceedings of the Königlich Bayrisches Amtsgericht in the fictional Bavarian small town Geisbach. Almost all actors speak with a Bavarian dialect. The series features many famous Bavarian actors like Gustl Bayrhammer, Hans Baur and Max Grieser.

The documentary play reconstructs the backstory of the so-called “Röhm Putsch”, during which a few hundred people got killed, depicts the intrigues between the Reichswehr (German army) and the SA, and draws an image of the character of Röhm who, prior to Hitler’s accession to power, was his friend but later got pushed more and more into the background and eventually was disposed of. Röhm, captain during the 1st World War, organisational talent, daredevil, and one of the ‘discoverers’ of the corporal Hitler, was the central figure in the secret power struggles in the just established Hitler state. He demanded a ’second revolution’ and wanted to unite the million-man army of the SA and the Reichswehr under his leadership…

The story has an old donkey resolving to break away from the unbearable hardships of working for a fat miller (Alfred Pongratz). By and by, he recruits three more unsatisfied animals and convinces them to accompany him on his way to Bremen where they want to become musicians. Fighting off some robbers in a forest house then becomes an important part of the story.

In the made-up country of Alanien, King Alexander I has been overthrown while abroad. Now, he's in Vienna with his daughter, the city of his fondest memories since studying there as a boy. It doesn't take long for the charm of Vienna to work its magic on the former king: he quickly comes to terms with the new situation and is able to enjoy the Austrian capital sans all the ceremony and trappings which would otherwise accompany him on a state visit. The princess is content with preparing herself for a career as a pianist concert, while the former king takes a job as a chauffeur in the embassy of the country he once ruled. The revolutionaries are shocked; and his days in Vienna are numbered.

This movie takes place during the premiere of Mozart's Die Zauberfloete (The Magic Flute). Not really depicting his entire life and loves, much of this is fictionalized scatology. Although not without basis in fact, Mozart has attained a somewhat colorful reputation and this is really just more of the same. The music is a joy, but the movie bogs down in titillation. Mozart's last days were lived in poverty and disgrace--stemming chiefly from his embracing of the Freemason stance, which was essentially a heresy in Austria and the rest of Europe at that time. None of this is depicted and even a satyr could not sustain the lifestyle Mozart has been portrayed as having here. Still, this is an interesting movie and worth a listen to.

A young girl's loyalty to the Communist Party is tested in Prague when she falls in love with an attache who has just arrived from the United States.