The Inquisition continues the persecution of Portuguese Jews, sending Visitador Sebastião Noronha to the city of Oporto. With his family and community in danger, António Álvares, decides to outline an escape plan.

Brothers-in-law, Eduardo and Sabonis, married to sisters Cuca and Peque Ribeiro, have made a real mess of one of their business ventures and are in need of money, a lot of money. It will be Sabonis who, in one of his uncontrollable fits of rage, comes up with a plan to fix all their problems in one go: kidnap Modesto, brother-in-law to Alicia Zamora, the businesswoman who screwed them over. There’s just one problem: Alicia has no intention of paying even a penny to get her brother-in-law back. In the end, it will be Modesto himself who comes up with a new plan to help Eduardo and Sabonis get the money they need to save the family wine business. What they don’t know is that police officer Mati, the Ribeiro’s middle sister, is on to their little plan. Eduardo, Sabonis and Modesto have everything to lose, but as Sabonis would say, what could go wrong?

“1618” is a film about the inquisitorial visit to Porto that encountered resistance from priests, ordinary citizens and the city authorities themselves, all accustomed for centuries to living alongside the Jews.

Romeu, a corrupt cop, hires the services of Cid and Alex, to catch a notorious criminal, who left Mexico and is on his way to Galicia, Spain to find the killer of his brother, also trying to catch the same criminal is an FBI agent.

1920s. Vitalino, a small farmer from São Vicente sees his father die of the epidemic which decimated the country. Some years later, of all the brothers, Vitalino is the strongest and takes his father’s place in the house. But the village is too small for his aspirations and he decides to head to Brazil, leaving his sisters in charge of the household. In parallel with Vitalino’s story, If I Were a Thief… I’d Steal portrays the world of Paulo Rocha rummaging through his films and ghosts over the years.